新写实油画语言与我的选择方式
发布时间：2018-11-16 11:52
【摘要】：本文希图界定新写实油画大致范围，及其有别于古典油画的三个语言内核：形、色、体。以莫兰迪、霍克尼、弗洛伊德、毕加索等画家为例，在形色体的观察方式上比较塞尚之前与之后的油画语言。论述以正负形、形体属性、色性与色度为绘画观察方式的途径；以及这三个语言内核在新写实油画语言中的显赫地位。结合我在油画创作中的思考与实践过程，，阐述个体观察方式与选择。
[Abstract]:This paper tries to define the general scope of new realistic oil painting and its three language kernels which are different from classical oil paintings: shape, color and style. Take Morandi, Hockney, Freud, Picasso and other painters as examples to compare the oil painting language before and after Cezanne. This paper discusses the way to observe painting with positive and negative shape, shape attribute, color and chroma, and the prominent position of these three languages in the new realistic oil painting language. Combined with my thinking and practice process in oil painting creation, this paper expounds the individual observation mode and choice.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
[Abstract]:This paper tries to define the general scope of new realistic oil painting and its three language kernels which are different from classical oil paintings: shape, color and style. Take Morandi, Hockney, Freud, Picasso and other painters as examples to compare the oil painting language before and after Cezanne. This paper discusses the way to observe painting with positive and negative shape, shape attribute, color and chroma, and the prominent position of these three languages in the new realistic oil painting language. Combined with my thinking and practice process in oil painting creation, this paper expounds the individual observation mode and choice.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
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