龚贤中晚期画风中士气的重建
发布时间：2018-11-23 13:47
【摘要】：龚贤作为明清江山易代之际的江南画坛开派画家,融历代诸家笔墨语言一体,其画风可谓独步古今,洗脱了有明以来绘画图式。其孑然独立的人格,浑厚华滋的笔墨与透彻的画学思想,赋予了山水画新的图式和意涵,对当时及后世产生了重要影响。对于遗民画家龚贤的研究近几十年来著述很多,取得了相当可观的成就。但大部分着眼于龚贤山水画的笔墨、空间表现和意境,以及家国破灭后对画家心境的影响而呈现出的画面情境。作为知识分子的士人群体承载着兼济天下的社会使命,但晚明士人尊严备受践踏的时代语境下,士人群体在仕宦语境中的失语,处在这个时代的龚贤经历双重考验,家国的破碎与异族政权的高压统治。探究其画中呈现出高韬的生命境界,亦彰显着深邃的普世情怀,亦是对时代所彰显出的士气衰落有力的反抗,重塑以儒家道统为本位的士气。对于龚贤画风中的士气塑造,众多研究者所关注的遗民画家偏重于细节把握,缺乏整体关照,忽略了画家之间的往来以及与赞助人的关系。本文则力图通过以龚贤为代表的士人画家,于历史巨变时期所作出的选择与身份的转换,以及重建被乱世所摧垮的儒士的基本观念和理想追求。将龚贤作为个案,通过梳理龚贤对其绘画风格的早期探索并最终确立具有自家面貌的独特画风,进而探究龚贤中晚期画风中所呈露出对"士气"的复归。
[Abstract]:Gong Xian, as a painter of Jiangnan painting world in Ming and Qing dynasties, integrates all the paintings and ink languages of all dynasties, and his painting style can be described as a single step in ancient and modern times, which has eluded the painting patterns since Ming Dynasty. His unique and independent personality, his profound ink and strokes and his thorough thought of painting endow the landscape painting with new schemata and meanings, which have had an important influence on the later generations as well as at that time. Gong Xian, a relic painter, has made considerable achievements in his research in recent decades. But most of them focus on the painting, spatial expression and artistic conception of Gong Xian's landscape painting, as well as the influence on the artist's mood after the disillusionment of home and country. As a group of intellectuals, the intellectuals bear the social mission of helping the world, but in the context of the era in which the dignity of the scholars in the late Ming Dynasty was trampled on, the aphasia of the scholars in the context of official officials experienced a double test in this era. The fragmentation of the country and the oppressive rule of the alien regime. Exploring the life state of Gao Tao in his paintings also shows the profound universal feelings, and it is also a powerful resistance to the decline of the morale of the times, and reshaping the morale based on the Confucian ethics. For the morale shaping in Gong Xian's painting style, many researchers pay more attention to the details of the painters, lack of overall care, and ignore the relationship between the painters and their patrons. This paper tries hard to reconstruct the basic concept and ideal pursuit of Confucianism destroyed by the turbulent times through the transformation of the choice and identity made by the scholar painters represented by Gong Xian in the period of great change in history. Taking Gong Xian as a case study, through combing Gong Xian's early exploration of his painting style and finally establishing his own unique style of painting, this paper probes into the return of "morale" exposed in Gong Xian's painting style in the middle and late period.
【学位授予单位】：南京大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
，
本文编号：2351804
[Abstract]:Gong Xian, as a painter of Jiangnan painting world in Ming and Qing dynasties, integrates all the paintings and ink languages of all dynasties, and his painting style can be described as a single step in ancient and modern times, which has eluded the painting patterns since Ming Dynasty. His unique and independent personality, his profound ink and strokes and his thorough thought of painting endow the landscape painting with new schemata and meanings, which have had an important influence on the later generations as well as at that time. Gong Xian, a relic painter, has made considerable achievements in his research in recent decades. But most of them focus on the painting, spatial expression and artistic conception of Gong Xian's landscape painting, as well as the influence on the artist's mood after the disillusionment of home and country. As a group of intellectuals, the intellectuals bear the social mission of helping the world, but in the context of the era in which the dignity of the scholars in the late Ming Dynasty was trampled on, the aphasia of the scholars in the context of official officials experienced a double test in this era. The fragmentation of the country and the oppressive rule of the alien regime. Exploring the life state of Gao Tao in his paintings also shows the profound universal feelings, and it is also a powerful resistance to the decline of the morale of the times, and reshaping the morale based on the Confucian ethics. For the morale shaping in Gong Xian's painting style, many researchers pay more attention to the details of the painters, lack of overall care, and ignore the relationship between the painters and their patrons. This paper tries hard to reconstruct the basic concept and ideal pursuit of Confucianism destroyed by the turbulent times through the transformation of the choice and identity made by the scholar painters represented by Gong Xian in the period of great change in history. Taking Gong Xian as a case study, through combing Gong Xian's early exploration of his painting style and finally establishing his own unique style of painting, this paper probes into the return of "morale" exposed in Gong Xian's painting style in the middle and late period.
【学位授予单位】：南京大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
，
本文编号：2351804
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