浅析石涛与“诗书画
发布时间：2018-11-23 15:59
【摘要】：“诗书画印”四位一体是古代画家、尤其是文人画家不断探索而形成的典型画面形式,对于文人画的发展以及文人审美的发展都有着深刻的影响。石涛就是这种结合的典型画家。本文试从文人画的典型特征“诗书画印”四位一体的画面形式的形成及发展并结合石涛的诗书画印艺术及其艺术思想进行阐释。长期以来,学界对于石涛的研究成果丰硕,但石涛同时又是一位修养十分全面的典型文人画家。在对其诗书画印全面的艺术修养等方面,有许多值得研究之处。本文共分五个部分。第一部分论述“诗书画印”四位一体的源流,形成及历史演变,笔者参考中国古代绘画的发展历程,得出了书画相通、诗画一律、画印相辉等结论。第二部分主要探讨文人与“诗书画印”四位一体的关系,论述了文人士大夫在“诗书画印”四位一体形成中起到的不可替代的作用。第三部分论述了石涛的艺术作品成就和尤其是在诗书画印这几方面的成就。第四部分主要论述了石涛的艺术思想的形成与“诗书画印”的关系。石涛艺术思想博大精深,与其多方面的艺术修养是分不开的。第五部分为石涛对于后世画家的影响。石涛作为一位别开生面的创新派宗师,对于后世影响极大,自然将他的艺术理念包括对“诗书画印”的认识传播给了其后的画家们。通过对于“诗书画印”四位一体的演进过程的研究和对于石涛的个案研究,我们可以更加明确文人画的内涵和全面的艺术修养对于画家艺术成就的促进作用。
[Abstract]:The quaternion of "poem, calligraphy, painting and Printing" is a typical picture form formed by ancient painters, especially literati painters, and has a profound influence on the development of literati painting and the development of literati aesthetics. Shi Tao is a typical painter of this combination. This paper tries to explain the formation and development of the four-in-one picture form of "poem, calligraphy, painting and printing", combined with Shi Tao's poem, calligraphy, painting and printing art and his artistic thought. For a long time, scholars have made fruitful research on Shi Tao, but Shi Tao is also a typical literati painter. In his poetry, calligraphy, painting printing comprehensive art culture, there are many worthy of study. This paper is divided into five parts. The first part discusses the origin, formation and historical evolution of the "poem, calligraphy, painting and printing". The author draws the conclusion that the calligraphy and painting are the same, the poem and painting are the same, and the painting and printing is bright, with reference to the development course of ancient Chinese painting. The second part mainly discusses the relationship between literati and "poem, calligraphy, painting and printing", and discusses the irreplaceable role that literati and officials play in the formation of "poem, calligraphy, painting and printing". The third part discusses the achievements of Shi Tao's works of art, especially in poetry, calligraphy and painting. The fourth part mainly discusses the relation between Shi Tao's artistic thought and "poem, calligraphy and painting print". Shi Tao's artistic thought is extensive and profound, and its various artistic accomplishment is inseparable. The fifth part is the influence of Shi Tao on later painters. Shi Tao, as an innovative master, had a great influence on later generations, and naturally spread his understanding of "poem, calligraphy and painting" to the later painters. Through the study of the evolution process of "poem, calligraphy, painting and Printing" and the case study of Shi Tao, we can make clear more clearly the connotation of literati painting and the promotion of overall artistic accomplishment to the artist's artistic achievement.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212
本文编号：2351981
[Abstract]:The quaternion of "poem, calligraphy, painting and Printing" is a typical picture form formed by ancient painters, especially literati painters, and has a profound influence on the development of literati painting and the development of literati aesthetics. Shi Tao is a typical painter of this combination. This paper tries to explain the formation and development of the four-in-one picture form of "poem, calligraphy, painting and printing", combined with Shi Tao's poem, calligraphy, painting and printing art and his artistic thought. For a long time, scholars have made fruitful research on Shi Tao, but Shi Tao is also a typical literati painter. In his poetry, calligraphy, painting printing comprehensive art culture, there are many worthy of study. This paper is divided into five parts. The first part discusses the origin, formation and historical evolution of the "poem, calligraphy, painting and printing". The author draws the conclusion that the calligraphy and painting are the same, the poem and painting are the same, and the painting and printing is bright, with reference to the development course of ancient Chinese painting. The second part mainly discusses the relationship between literati and "poem, calligraphy, painting and printing", and discusses the irreplaceable role that literati and officials play in the formation of "poem, calligraphy, painting and printing". The third part discusses the achievements of Shi Tao's works of art, especially in poetry, calligraphy and painting. The fourth part mainly discusses the relation between Shi Tao's artistic thought and "poem, calligraphy and painting print". Shi Tao's artistic thought is extensive and profound, and its various artistic accomplishment is inseparable. The fifth part is the influence of Shi Tao on later painters. Shi Tao, as an innovative master, had a great influence on later generations, and naturally spread his understanding of "poem, calligraphy and painting" to the later painters. Through the study of the evolution process of "poem, calligraphy, painting and Printing" and the case study of Shi Tao, we can make clear more clearly the connotation of literati painting and the promotion of overall artistic accomplishment to the artist's artistic achievement.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212
【参考文献】
相关期刊论文 前1条
1 郭长虹;士大夫集团文化性格的完成与文人画的产生[J];南开学报;2004年03期
，本文编号：2351981
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