龚贤绘画中“树”与“石”探研

发布时间：2018-11-29 14:03

【摘要】：龚贤作为明末清初的山水画家,其绘画风格总体上可以概括为"清韵浑厚"与"超然意蕴"之美。他注重以山石、树丛、苔藓、云雾、沟壑等为主要表现对象,在技法上具备了"黑、厚、润、实"的独特艺术风格。他善于采纳前人各家用笔所长,为我所用,对各种树体画法与山石丘壑表现都有开拓性的成就,其独特技艺皴法成为其绘画艺术的主要风貌。尤其是在山水画的探索中,龚氏独有的艺术皴法成为中国传统山水画皴法中常用的艺术表现技法,因为他的皴法具有鲜明的个性艺术风彩,其最大的审美特征就是画面中点线应用的温润、圆浑、厚重、透明,使山水画艺术表现极具立体感,这是龚贤对自然山水长期观察体验的结果。龚贤一生期望生活平淡疏放,简洁朴拙。闲情逸致是其精神家园,从而获得超越现实社会与尘世之外的审美心境,其艺术的表现与探研都给后人带来很好的启示。
[Abstract]:As a landscape painter in the late Ming and early Qing dynasties, Gong Xian's painting style can be summed up as the beauty of "Qingyun thick" and "transcendental implication". He focuses on rocks, bushes, moss, clouds, gullies and so on as the main performance object, with a "black, thick, moist, solid" unique artistic style. He is good at adopting all the forefathers' merits and using them for me. He has pioneered achievements in all kinds of tree painting methods and the performance of hills and hills, and his unique craftsmanship has become the main style and feature of his painting art. In particular, in the exploration of landscape painting, Gong's unique art chapping method has become a common art expression technique in the traditional Chinese landscape painting chapping method, because his chapping method has distinctive individual artistic style. Its biggest aesthetic characteristic is the warm, round, thick and transparent application of the point line in the picture, which makes the artistic performance of landscape painting extremely three-dimensional, which is the result of Gong Xian's long-term observation of natural landscape. Gong Xian expected life to be dull and simple. Leisure is its spiritual home, thus obtaining the aesthetic mood beyond the real society and the earthly world, and its artistic expression and exploration have brought good enlightenment to the posterity.
【作者单位】：北京大学艺术学院;
【分类号】：J212

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