我在创作中对素描与笔墨语言的思考

发布时间：2018-12-05 19:54

【摘要】：二十世纪以来,西方写实素描不断影响着水墨人物画的发展,素描与传统笔墨的结合,丰富了人物画表现形式,推动水墨人物画继续发展。以素描为造型基础,将明暗,科学的解剖,透视等融入水墨人物画中,运用传统山水、花鸟中的表现技法,丰富了水墨人物画的表现形式,写实能力获得很大提高。但伴随着人物画的革新,素描的明暗分面、空间透视、立体效果与中国传统绘画以线造型为主,讲究平面性,舍弃自然光明暗效果的矛盾突出,众多人物画家又努力进行新的探索,将素描在造型方面的优点与传统笔墨语言继续融合,以形成新的笔墨语言为自己的创作服务。本人作为水墨人物画方向的研究生,从开始学画起,便是以素描为基础,觉得很有必要思考总结其对自己专业学习和创作的影响。在明确了传统国画与光影素描之间的诸多不同后,开始有意识地进行调整融合,以此作为创作中的研究课题。通过自己在写生和创作中的实践与思考,素描观察方式应与传统笔墨语言相结合,笔墨语言应该与写实素描造型相结合,使自己的素描造型基础提升笔墨语言的表现力,以现实主义题材为主要表现对象,通过现实主义人物画创作来表达自己的艺术观念,在作品中体现现代社会人们的生存状态以及我对这种生存状态所持的态度。
[Abstract]:Since the 20th century, the western realistic sketch has continuously affected the development of ink figure painting. The combination of sketch and traditional ink has enriched the expression form of figure painting and promoted the development of ink figure painting. On the basis of sketch, the light and shade, scientific anatomy, perspective and so on are integrated into the ink figure painting, and the performance techniques in the traditional landscape, flowers and birds are used to enrich the expression form of the ink figure painting, and the realistic ability is greatly improved. However, with the innovation of figure painting, the contradiction between the bright and dark side of sketch, the perspective of space, the stereoscopic effect and the traditional Chinese painting is dominated by line modeling, emphasizing planarity and abandoning the effect of natural light and dark. Many painters have made great efforts to make new explorations and continued to combine the advantages of sketch in modeling with the traditional language of pen and ink in order to form a new language of pen and ink to serve their own creation. As a graduate student in the direction of ink figure painting, I began to study painting on the basis of sketch. I feel it is necessary to think about and summarize its influence on my professional study and creation. After clarifying the many differences between traditional Chinese painting and light and shadow sketch, the author began to adjust and merge consciously as a research topic in his creation. Through their own practice and thinking in sketch and creation, sketch observation should be combined with traditional ink language, stroke and ink language should be combined with realistic sketch modeling, so that their sketch modeling foundation can enhance the expressive power of pen and ink language. Taking realistic subject matter as the main object of expression, the author expresses his artistic concept through realistic figure painting creation, and reflects the living state of people in modern society and my attitude towards this kind of living state in the works.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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