浅析图像性绘画
发布时间：2018-12-09 18:22
【摘要】：本文以美术史的发展为主线,分析了图像与绘画从历史至今的相互联系,相互对抗,到现今艺术的相互结合。架上绘画艺术已不再是当今社会的唯一平面化艺术作品,我们接触更多的是各种媒介所呈现的图像艺术。图像比起绘画,从时间上产生的速度更为快捷,显示更为直接,冲击力更强,并且具有强大的亲民性,每个人都可以是自己世界的艺术家。人们可能不会用素描,色彩来刻画一张作品,但是却可以轻松的用手机,相机来记录一个瞬间。而艺术家们也几乎把摄影数字技术作为自己收集素材的主要手段,人们不得不承认,这个世界已然进入了图像时代。 当今世界现代科技持续发展,电脑与相机的迅速普及使图像在我们的生活中无处不在,逐渐的我们似乎再也无法离开图像而生存,图像成为了我们感知世界的唯一窗口。从人类艺术发展史来看,从古至今任何一门艺术的表现媒介、语言、手段和技巧都是在发展中不断变化的。其中就贯穿着不同艺术之间在相互撞击中所进行的吸收、借鉴、改造、创新。面对丰富而又繁杂的图像世界,艺术家必须保持年轻的创造力和批判思想力,只有这样才能够保持独立的艺术品格,艺术家才能够从容地应对泛滥的图像世界,才能把握丰富的图像资源,进而为已所用,不断创作出有新意的作品。摄影艺术的发展给绘画艺术带来有趣的多样性,也影响着当代艺术家的感受和观念。当然,最主要的还是表现艺术家的思想,利用无尽的图像资源和丰富的视觉角度。想通过此文章对图像、绘画、加上摄影等概念的界定,用图像对绘画在发展过程中的相互影响、相互作用作为主线,重点对现今绘画创作中对摄影图像的各种利用现状进行分析,力求使人们对摄影图像在当代绘画艺术中的作用有个清晰地理解,对利用图像来进行当代绘画创作有个客观的认识。 文章中还举例分析了波普艺术大师安迪沃霍尔和德国在世的伟大艺术家格哈德、里希特的艺术理论和作品风格,并结合了中国当代艺术家的作品,共同阐述图像性绘画语言的影响与意义。以及80后新锐艺术家的作品,来表达艺术语言未来的发展走势。并用方法论作为理论依据,把图像作为绘画语言,向大众展现一种全新的艺术理念。
[Abstract]:Taking the development of art history as the main line, this paper analyzes the mutual connection and confrontation between images and paintings from history to present art. The art of painting on the shelf is no longer the only flat work of art in today's society, we are more exposed to the image art presented by various media. Images are produced more quickly in time, more directly, more impulsively, and with a strong affinity to the people than painting, so that everyone can be an artist of his own world. People may not use sketches and colors to depict a work, but they can easily record an instant with a cell phone or camera. And artists almost use photography digital technology as their main means of collecting materials, people have to admit that the world has entered the image age. With the continuous development of modern science and technology and the rapid popularization of computers and cameras, images are everywhere in our lives. Gradually, we seem to be unable to survive without images. Image has become the only window for us to perceive the world. From the history of the development of human art, the expression medium, language, means and skills of any art from ancient to present are constantly changing in the process of development. It runs through the absorption, reference, transformation and innovation between different arts in the process of collision. In the face of the rich and complicated image world, artists must maintain their young creativity and critical thinking, only in this way can they maintain their own artistic works, and the artists can handle the overflowing image world calmly. In order to grasp the rich image resources, and then for the use of, continue to create new works. The development of photographic art brings interesting variety to painting art, and also affects the feelings and ideas of contemporary artists. Of course, the most important thing is to express the artist's ideas, using endless image resources and rich visual perspective. I want to define the concepts of image, painting, photography and so on through this article, and use the interaction and interaction of images in the development of painting as the main line. The emphasis is on the analysis of the current situation of the use of photographic images in contemporary painting creation, in order to make people have a clear understanding of the role of photographic images in contemporary painting art. To use the image to carry on the contemporary painting creation has an objective understanding. Examples are also given to analyze the artistic theory and style of the great German artists Gerhard and Richter, as well as the works of contemporary Chinese artists. This paper expounds the influence and significance of graphic painting language. As well as the 80's new artists' works, to express the future development of artistic language. With methodology as the theoretical basis, image as the language of painting, to show a new artistic concept to the public.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
本文编号：2369831
[Abstract]:Taking the development of art history as the main line, this paper analyzes the mutual connection and confrontation between images and paintings from history to present art. The art of painting on the shelf is no longer the only flat work of art in today's society, we are more exposed to the image art presented by various media. Images are produced more quickly in time, more directly, more impulsively, and with a strong affinity to the people than painting, so that everyone can be an artist of his own world. People may not use sketches and colors to depict a work, but they can easily record an instant with a cell phone or camera. And artists almost use photography digital technology as their main means of collecting materials, people have to admit that the world has entered the image age. With the continuous development of modern science and technology and the rapid popularization of computers and cameras, images are everywhere in our lives. Gradually, we seem to be unable to survive without images. Image has become the only window for us to perceive the world. From the history of the development of human art, the expression medium, language, means and skills of any art from ancient to present are constantly changing in the process of development. It runs through the absorption, reference, transformation and innovation between different arts in the process of collision. In the face of the rich and complicated image world, artists must maintain their young creativity and critical thinking, only in this way can they maintain their own artistic works, and the artists can handle the overflowing image world calmly. In order to grasp the rich image resources, and then for the use of, continue to create new works. The development of photographic art brings interesting variety to painting art, and also affects the feelings and ideas of contemporary artists. Of course, the most important thing is to express the artist's ideas, using endless image resources and rich visual perspective. I want to define the concepts of image, painting, photography and so on through this article, and use the interaction and interaction of images in the development of painting as the main line. The emphasis is on the analysis of the current situation of the use of photographic images in contemporary painting creation, in order to make people have a clear understanding of the role of photographic images in contemporary painting art. To use the image to carry on the contemporary painting creation has an objective understanding. Examples are also given to analyze the artistic theory and style of the great German artists Gerhard and Richter, as well as the works of contemporary Chinese artists. This paper expounds the influence and significance of graphic painting language. As well as the 80's new artists' works, to express the future development of artistic language. With methodology as the theoretical basis, image as the language of painting, to show a new artistic concept to the public.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
【参考文献】
相关期刊论文 前1条
1 韩国榛;和而不同 通变则久——卢沉先生的艺术观与学术观[J];美术研究;2004年02期
，本文编号：2369831
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