静穆的仪式—张晓刚艺术作品中的图像符号研究
发布时间：2018-12-12 01:05
【摘要】：上世纪九十年代中期以来,用脸谱化的图像符号进行艺术创作成为一种普遍现象,张晓刚则是被广泛关注与研究的代表人物,而其代表作《大家庭》系列作品表现的就是一个放大的宗族家长制的社会模型,家长制社会的仪式感又因为集体主义原则而更加凸显;张晓刚面对这种复杂的又无法脱离的特定历史时期的人的生存状态,把其中的仪式感强化出来并变为简约有力的符号。本文分为四章进行相关探讨。第一章为跨文化领域的知识背景介绍,对图像符号的概念进行一般性认识与对张晓刚个人化图像符号背景知识进行梳理,第二章结合第一章的知识背景论述张晓刚作品中标志性的图像符号所象征的含义与其仪式感的来源。第三章以张晓刚的代表作《大家庭》系列为案例结合当时的社会、政治、文化等因素来讨论、分析作品中的仪式感和仪式感的来源,第四章论述张晓刚作品中的静穆氛围及促成这种氛围的影响因素。
[Abstract]:Since the mid-1990s, the use of facial image symbols for artistic creation has become a common phenomenon, while Zhang Xiaogang has been a representative of widespread concern and research. His masterpiece "extended Family" series shows an enlarged social model of patriarchal system, and the ritualistic sense of patriarchal society is more prominent because of the collectivism principle. Zhang Xiaogang faced with this complicated and inextricable state of existence in a particular historical period, strengthened the ritual feeling and turned it into a simple and powerful symbol. This article is divided into four chapters to carry on the related discussion. The first chapter is the introduction of cross-cultural knowledge background. It makes a general understanding of the concept of image symbol and combs Zhang Xiaogang's personal background knowledge of image symbol. The second chapter discusses the meaning of the symbolic image symbol in Zhang Xiaogang's works and the origin of its ceremonial feeling in combination with the knowledge background of the first chapter. The third chapter takes Zhang Xiaogang's masterpiece, "extended Family" series, as a case study, combining social, political, cultural and other factors at that time to discuss and analyze the origin of ceremony and ceremony in his works. Chapter four discusses the quiet atmosphere in Zhang Xiaogang's works and the influencing factors.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
本文编号：2373589
[Abstract]:Since the mid-1990s, the use of facial image symbols for artistic creation has become a common phenomenon, while Zhang Xiaogang has been a representative of widespread concern and research. His masterpiece "extended Family" series shows an enlarged social model of patriarchal system, and the ritualistic sense of patriarchal society is more prominent because of the collectivism principle. Zhang Xiaogang faced with this complicated and inextricable state of existence in a particular historical period, strengthened the ritual feeling and turned it into a simple and powerful symbol. This article is divided into four chapters to carry on the related discussion. The first chapter is the introduction of cross-cultural knowledge background. It makes a general understanding of the concept of image symbol and combs Zhang Xiaogang's personal background knowledge of image symbol. The second chapter discusses the meaning of the symbolic image symbol in Zhang Xiaogang's works and the origin of its ceremonial feeling in combination with the knowledge background of the first chapter. The third chapter takes Zhang Xiaogang's masterpiece, "extended Family" series, as a case study, combining social, political, cultural and other factors at that time to discuss and analyze the origin of ceremony and ceremony in his works. Chapter four discusses the quiet atmosphere in Zhang Xiaogang's works and the influencing factors.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
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