绘画“形象”新解

发布时间：2018-12-13 06:43

【摘要】：绘画,作为一种视觉艺术,以感官可知的塑造为本体语言,在表达中,通常涉及一个日常词汇——“形象”。这个词可以拆分为两部分：“形”和“象”,分别代表事物的呈现及其关系,在绘画作品中具体表现为直观的视觉印象和深层的精神情感。艺术的存在与发展离不开情感的表达和传递,这一过程中,因人的不同,客观世界中的形象在认知和表达上极易发生偏差,由此情感寓于其中,并诞生出多彩的表现形式。我们将“形象”笼统概括为生命的表征,人类情感与其密切相连。传统意义上,客观事物的存在具有唯一性,但在不同人眼中却有不同体现,由此,“形”(事物表征)和“象”(运行规律和事物之间的关系)也分别具有了双层含义：原本的模样和后天被给予的模样,二者互相印证又相互背离。这种矛盾的产生在于人的分别——万物原属一个整体,因分别而脱离对整体把握,有了不同的评价体系,并由此产生情感(不同的认知)：分别意味着脱离整体单独存在——疏离,陌生,以至孤独,又互相寻找,谋求团聚。这个由整体至分别再到团聚的过程,即是情感的主题,也是绘画艺术的表达主旨。笼统概括：“形象”的双层结构存在于事物原本的整体和后天的情感中。情感是对最初整体的背离,也是绘画乃至艺术的主要表达,这种表达因脱离整体而发生差异化认识。千百年来,情感伴随人类更替世代相传。人们因情感对世界的认识得以升华,但在迈向真理的路上又因此止步。因为对形象理解的偏差得不到最终确认,由整体的分别导致形象的差异和不同存在,不同形象的表现又相互印证同一客观事实。这是伴随绘画乃至艺术发展的命题。它激励着人们永不止息的求索,对时间,对未来,对永恒……在“得与不得”间,由兴败而需抒怀,不同情感绽放不同艺术。就像花开花落,也许这只是宇宙造物的缩影,一切原本没有对错。
[Abstract]:Painting, as a visual art, takes the creation of sensory knowability as the Noumenon language. In expression, it usually involves an everyday word-"image". The word can be divided into two parts: "form" and "image", which represent the presentation of things and their relations respectively. The existence and development of art can not be separated from the expression and transmission of emotion. In this process, the image in the objective world is prone to deviate in cognition and expression due to the difference of people. We generalize "image" as the representation of life, and human emotion is closely related to it. In the traditional sense, the existence of objective things is unique, but it is reflected in different people's eyes. "form" (representation of things) and "image" (the relationship between running law and things) also have double meanings: the original appearance and the acquired pattern, the two mutually corroborate each other and deviate from each other. This contradiction arises from the separation of human beings-all things belong to a whole, because of the separation and from the grasp of the whole, there are different evaluation systems, And there is emotion (different cognition): separate means separate from the whole existence-alienation, strange, even lonely, and seek each other, seeking reunion. This process from whole to separation to reunion is not only the theme of emotion, but also the gist of painting art. General summary: the double-level structure of "image" exists in the original whole and acquired emotion of things. Emotion is not only the deviation from the original whole, but also the main expression of painting and even art. For thousands of years, emotions have been passed down from generation to generation with human succession. The understanding of the world is sublimated by emotion, but it stops on the way to truth. Because the deviation of the understanding of the image can not be finally confirmed, the difference and existence of the image is caused by the whole, and the performance of the different image verifies the same objective fact. This is accompanied by painting and even the development of art proposition. It inspires the unceasing search for time, for the future, for eternity. In the "get and can not", from rise to fall and need to express, different feelings bloom different art. Just like flowers bloom and fall, perhaps this is only the epitome of cosmic creation, everything is original right and wrong.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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