中国早期女性画家—唐蕴玉水彩画艺术研究
发布时间：2018-12-13 07:27
【摘要】：唐蕴玉(1906-1992)是民国时期在上海画坛最为活跃的女性画家之一,在上世纪20年代先后留学日本和法国,印象派与后印象派的绘画风格对她有深刻影响。本文重点分析唐蕴玉在上世纪50—60年代间创作的水彩画,从描绘题材、技能技巧、情感表现以及风格特点等角度进行论证阐述,并且论述她艺术风格形成的社会环境方面的、西方绘画艺术方面的影响等诸多因素。以唐蕴玉作为上世纪女性艺术家个案进行研究,本文诣在发掘早期女性画家在中国西画发展过程中的影响及作用,对她所处的历史阶段及作品进行再认识。也给我们新时期的女性艺术家提供借鉴和学习。
[Abstract]:Tang Yunyu (1906-1992) was one of the most active female painters in Shanghai during the period of the Republic of China. She studied in Japan and France successively in the 1920s. The painting style of Impressionism and Post-Impressionism had a profound influence on her. This paper focuses on the analysis of the watercolor paintings created by Tang Yunyu in the 50-60 's of the last century, and discusses the social environment in which her artistic style is formed, from the angles of depicting subject matter, skill skills, emotional expression and style characteristics, etc. The influence of western painting art and many other factors. Taking Tang Yunyu as a case study of female artists in the last century, this paper explores the influence and role of early female painters in the development of Chinese western paintings, and reunderstands her historical stage and works. Also to our new period of female artists to provide reference and learning.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J215
本文编号：2376149
[Abstract]:Tang Yunyu (1906-1992) was one of the most active female painters in Shanghai during the period of the Republic of China. She studied in Japan and France successively in the 1920s. The painting style of Impressionism and Post-Impressionism had a profound influence on her. This paper focuses on the analysis of the watercolor paintings created by Tang Yunyu in the 50-60 's of the last century, and discusses the social environment in which her artistic style is formed, from the angles of depicting subject matter, skill skills, emotional expression and style characteristics, etc. The influence of western painting art and many other factors. Taking Tang Yunyu as a case study of female artists in the last century, this paper explores the influence and role of early female painters in the development of Chinese western paintings, and reunderstands her historical stage and works. Also to our new period of female artists to provide reference and learning.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J215
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