唐韩休墓《乐舞图》内容与颜料关系
发布时间：2018-12-13 23:53
【摘要】：唐代是中国古代墓葬壁画发展的一个鼎盛时期。在这一时期,无论在墓葬壁画的规模、创作数量,以及工艺水平上都是有史以来最高的。中国的色彩绘画在唐代也达到了最高峰,古人对颜料的色感以及技法的应用可谓取得了因地制宜和融合创新的效果。这不仅能让韩休墓壁画从纷繁的唐代社会生活所映射出的缩影中依旧光辉灿烂,还能让观者从古人对颜色的色感在创作与应用上的讲究中了解到唐代墓葬的思想观念与宗教信仰。
[Abstract]:The Tang Dynasty was a heyday for the development of tomb murals in ancient China. During this period, it was the highest ever in terms of the size, quantity and craftsmanship of tomb murals. Chinese color painting also reached the peak in the Tang Dynasty, the ancients' color sense of pigment and the application of techniques can be said to have achieved local conditions and integration of innovative results. This not only allows the frescoes of Han Xiu Tomb to remain brilliant in the epitome of the complicated social life of the Tang Dynasty, It also enables the viewer to understand the thoughts and religious beliefs of Tang Dynasty tombs in the creation and application of the color feeling of the ancients.
【作者单位】： 西北大学;
【分类号】：J218.6
，
本文编号：2377490
[Abstract]:The Tang Dynasty was a heyday for the development of tomb murals in ancient China. During this period, it was the highest ever in terms of the size, quantity and craftsmanship of tomb murals. Chinese color painting also reached the peak in the Tang Dynasty, the ancients' color sense of pigment and the application of techniques can be said to have achieved local conditions and integration of innovative results. This not only allows the frescoes of Han Xiu Tomb to remain brilliant in the epitome of the complicated social life of the Tang Dynasty, It also enables the viewer to understand the thoughts and religious beliefs of Tang Dynasty tombs in the creation and application of the color feeling of the ancients.
【作者单位】： 西北大学;
【分类号】：J218.6
，
本文编号：2377490
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