八大山人花鸟画“空白”研究
发布时间：2018-12-15 17:59
【摘要】：中国画的“空白”观有着深刻的哲学渊源,是儒释道的虚实观、阴阳观、色空观在绘画中的哲学体现,本文主要分析的是八大山人的“空白”观,结合中国文化儒释道的传统哲学对八大山人花鸟画的“空白”进行分析,根据八大山人的生平、书画名款、所用图章及书法绘画风格的分期将八大山人花鸟画的“空白”分为传承期、发展期、成熟期。文章的主体部分主要以成熟期的作品为例,分别从道家的阴阳观、禅宗的色空观及文人画脉络对八大的“空白”进行分析。八大在追求文人画笔墨意趣的基础上进一步将“空白”提纯出来,使得“空白”跟笔墨一样成为单独的审美客体。建立起具有抽象形式美感的画面结构,将“空白”审美内涵推向了个更高的境界,并对后人产生了深远的影响。
[Abstract]:The "blank" view of Chinese painting has a profound philosophical origin. It is the philosophical embodiment of Confucianism, Buddhism, Taoism, yin and yang, color and space in painting. Combined with the traditional philosophy of Confucianism, Buddhism and Taoism in Chinese culture, the "blank" of the flower and bird paintings of the eight great mountain people is analyzed. According to the life history of the eight great mountain people, the famous calligraphy and painting funds, The seal and calligraphy and painting style divided the "blank" of the eight mountain people into succession period, development period and mature stage. The main part of the article mainly takes the mature period works as an example, respectively from the Taoist view of Yin and Yang, Zen color space view and literati painting context of the eight "blank" analysis. On the basis of pursuing the interest of literati painting, the eighth Congress further purifies "blank" and makes "blank" as a separate aesthetic object. The establishment of a picture structure with an abstract aesthetic sense has pushed the aesthetic connotation of "blank" to a higher level, and has had a profound impact on future generations.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
本文编号：2381062
[Abstract]:The "blank" view of Chinese painting has a profound philosophical origin. It is the philosophical embodiment of Confucianism, Buddhism, Taoism, yin and yang, color and space in painting. Combined with the traditional philosophy of Confucianism, Buddhism and Taoism in Chinese culture, the "blank" of the flower and bird paintings of the eight great mountain people is analyzed. According to the life history of the eight great mountain people, the famous calligraphy and painting funds, The seal and calligraphy and painting style divided the "blank" of the eight mountain people into succession period, development period and mature stage. The main part of the article mainly takes the mature period works as an example, respectively from the Taoist view of Yin and Yang, Zen color space view and literati painting context of the eight "blank" analysis. On the basis of pursuing the interest of literati painting, the eighth Congress further purifies "blank" and makes "blank" as a separate aesthetic object. The establishment of a picture structure with an abstract aesthetic sense has pushed the aesthetic connotation of "blank" to a higher level, and has had a profound impact on future generations.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
【共引文献】
相关期刊论文 前3条
1 崔旭伦;;风景画中的印象与写意[J];大家;2011年23期
2 叶春荣;;简远淡真 禅味盎然——论八大山人绘画艺术意境的营造[J];大众文艺;2011年21期
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相关硕士学位论文 前5条
1 王仁秀;八大山人花鸟画的特殊表现及成因研究[D];江西科技师范学院;2011年
2 陈先苗;论当代写意花鸟画的发展态势[D];河北大学;2011年
3 叶晓兰;画境如诗[D];湖南师范大学;2005年
4 于嘉;论当代写意花鸟画的创新[D];东北师范大学;2009年
5 马子芳;八大山人绘画形式之美研究[D];曲阜师范大学;2012年
，本文编号：2381062
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