绘画中的“陌生化图像”与“真实”

发布时间：2018-12-15 13:52

【摘要】：本文首先讨论“陌生化”理论的由来,然后从油画的角度切入“陌生化”理论,用“陌生化图像”来定义油画创作中艺术家是如何运用“陌生化”方式来完成作品的,通过对“陌生化图像”的探讨证明其在艺术创作中的价值。在绘画艺术中,“真实”是建立在生活真实与艺术真实之上的,生活真实是艺术真实的来源,艺术真实是审美判断的标准,也是每一个绘画创造者的追求,而本文就以此为基点,通过对自己油画创作实践中“陌生化图像”的实现以及对“真实”的认识,来探讨“陌生化图像”在绘画领域的发展与价值。本文主体分为四个部分。文章第一部分,叙述了“陌生化”理论的发展和“陌生化图像”概念的提出,以及其在现代艺术中的表现,指出了“陌生化图像”在现代艺术中的重要意义。第二个部分分析了在当代油画艺术创作中“陌生化图像”的三个表现,即独特的创作方法、不同的结果呈现、多元的构成要素。第三部分,分析了“真实”在油画艺术中的体现,从古典主义的追求再现与模仿的“真实”,到现代主义强调以艺术家为主题而表达的“真实”,再到后现代主义反艺术、反传统,否定绘画中的个人情感和独特的话语空间来表达的“真实”。第四个部分以我的油画创作为中心,论述了我是通过油画创作中“陌生化图像”的四个部分来追求“真实”的,这四个部分分别为创作立意、创作方法、创作过程、创作结果。
[Abstract]:This paper first discusses the origin of the theory of "defamiliarization", then from the perspective of oil painting into the theory of "defamiliarization", using "defamiliarization image" to define how artists use "defamiliarization" to complete their works. Through the discussion of "defamiliarization image", it proves its value in artistic creation. In the art of painting, "truth" is based on the reality of life and the truth of art. The truth of life is the source of artistic truth, and the art truth is the standard of aesthetic judgment and the pursuit of every creator of painting. Based on this, this paper discusses the development and value of "defamiliarization image" in the field of painting through the realization of "defamiliarization image" in the practice of oil painting creation and the understanding of "real". The main body of this paper is divided into four parts. The first part of the article describes the development of the theory of "defamiliarization" and the concept of "defamiliarization image", as well as its expression in modern art, and points out the important significance of "defamiliarization image" in modern art. The second part analyzes the three manifestations of "defamiliarization image" in contemporary oil painting creation, that is, the unique creative method, the different result presentation and the pluralistic elements. The third part analyzes the embodiment of "reality" in oil painting art, from the pursuit of classicism to the pursuit of reproduction and imitation of "reality", to the modernist emphasis on "truth" expressed by the artist, and to the post-modernism anti-art. Anti-tradition, negates the personal emotion in painting and the unique discourse space to express the "truth". The fourth part takes my oil painting creation as the center, elaborated that I pursue "the reality" through the oil painting creation "defamiliarization image" four parts, these four parts separately for the creation idea, the creation method, the creation process, the creation result.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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