浅议中国画中线造型审美观的演变和发展
发布时间：2018-12-16 04:41
【摘要】：石涛曾说过：线条是一切的开始。 当人们探求中华民族艺术时，就会自然而然的去观察她的表现手法和艺术形式，亦然，在我们研究中国绘画时，“线”作为贯穿其中的架构者和表现者起着显见的重要作用。站在人类发展的历史长河中来看，中国画之所以成为东方的一种文化符号被认可必然有其独特的民族识别性。由于人文、地理等因素的综合作用，民族传统艺术文化形成了丰富各异的表现手法和形式技巧;也正是基于这点，，中国画区别于西方绘画体系中的色彩与形体两大方面的价值观念：唯以线条来表现物象的体面关系。这使得线的运用在中国绘画中打破了单纯限定物象的轮廓线作用，而体现出组织画面整体的规定形态和表现块面的综合功能。同时，以线造型的程式也作为反映创作者的思想情怀和艺术修养的灵魂之所在。 伴随着时代的更迭和艺术语境的变迁，中国画创作者对线条认识程度也不断深入，在线条的表现力注入了越来越丰富的主观因素，线条的形式结构也从单一到繁复，从粗制到精细，“线”的艺术语言蔚为大观。中国绘画以线为造型手段发展变化至今，经历了由“形”到“质”的升华过程，并形成了以线条观念去观察、思辨、再现的思维体系。 本文以历代画作和绘画理论为研究的起点，在用笔技法、造型手段及形式意趣上汇与现代线性的发展进行了整理和归纳，并在此基础上对比分析了中西方线性艺术的异同，使我们能对线性造型的发展脉络有着更清晰的把握。线性造型同样也是一个不断要求创新的过程，这就要求我们在吸收外来造型理念的同时更要深入学习本民族的传统文化精髓。
[Abstract]:Shi Tao once said: line is the beginning of everything. When people explore the Chinese art, they will naturally observe her performance techniques and art forms, and also, in our study of Chinese painting, "line" as the architect and performance through which plays an important role. From the point of view of the history of human development, the reason why Chinese painting has become a cultural symbol in the East must have its unique national identity. As a result of the comprehensive function of the humanities, geography and other factors, the traditional national art and culture have formed a variety of expression techniques and formal skills; Based on this, Chinese painting is different from the western painting system in the color and form of the two major values: only by the line to represent the decent relationship of the image. This makes the use of line in Chinese painting break the role of the contour of the purely limited image, but reflect the overall organization of the picture as a whole and the overall performance of the integrated function of the block surface. At the same time, the program of line modeling is the soul of reflecting the creators' thoughts and artistic accomplishment. With the change of the times and the change of the artistic context, the Chinese painting creators have a deeper understanding of the lines, and the expression of the online strips has injected more and more subjective factors, and the formal structure of the lines has also changed from single to complicated. From rough to fine, the artistic language of "line" has become a great sight. Up to now, Chinese painting has experienced the sublimation process from "shape" to "quality", and has formed a thinking system of observing, thinking and reappearing by line concept. Based on the theory of painting and painting in the past dynasties, this paper has arranged and summarized the development of modern linearity in terms of pen technique, styling means and form interest, and on this basis has compared and analyzed the similarities and differences between Chinese and western linear art. So that we can have a clearer grasp of the development of linear modeling. Linear modeling is also a process of continuous innovation, which requires us to learn the essence of traditional culture of our nation while absorbing the concept of external modeling.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
本文编号：2381825
[Abstract]:Shi Tao once said: line is the beginning of everything. When people explore the Chinese art, they will naturally observe her performance techniques and art forms, and also, in our study of Chinese painting, "line" as the architect and performance through which plays an important role. From the point of view of the history of human development, the reason why Chinese painting has become a cultural symbol in the East must have its unique national identity. As a result of the comprehensive function of the humanities, geography and other factors, the traditional national art and culture have formed a variety of expression techniques and formal skills; Based on this, Chinese painting is different from the western painting system in the color and form of the two major values: only by the line to represent the decent relationship of the image. This makes the use of line in Chinese painting break the role of the contour of the purely limited image, but reflect the overall organization of the picture as a whole and the overall performance of the integrated function of the block surface. At the same time, the program of line modeling is the soul of reflecting the creators' thoughts and artistic accomplishment. With the change of the times and the change of the artistic context, the Chinese painting creators have a deeper understanding of the lines, and the expression of the online strips has injected more and more subjective factors, and the formal structure of the lines has also changed from single to complicated. From rough to fine, the artistic language of "line" has become a great sight. Up to now, Chinese painting has experienced the sublimation process from "shape" to "quality", and has formed a thinking system of observing, thinking and reappearing by line concept. Based on the theory of painting and painting in the past dynasties, this paper has arranged and summarized the development of modern linearity in terms of pen technique, styling means and form interest, and on this basis has compared and analyzed the similarities and differences between Chinese and western linear art. So that we can have a clearer grasp of the development of linear modeling. Linear modeling is also a process of continuous innovation, which requires us to learn the essence of traditional culture of our nation while absorbing the concept of external modeling.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
【参考文献】
相关期刊论文 前2条
1 张于;;散步的线条——与画家克利的四十三种对视[J];山花;2009年19期
2 栗壮志;;中西方绘画艺术的美学差异[J];文艺争鸣;2011年06期
本文编号：2381825
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