化古以出新—工笔花鸟画创作之我见
发布时间：2018-12-16 03:12
【摘要】：随着时代的不断进步，大众的观念意识不断提高，工笔花鸟画也得到了极大的发展，，特别是近年来，国际艺术交流日益频繁所带来的审美多元化导致人们对艺术作品的需求也日渐多样化。工笔花鸟画从色彩、题材，图式语言的表现等方面与传统模式相比有了极大的改变，表现风格和材料技法也都有了革新和突破。 本文第一章首先对“古”和“新”进行简单的解释和说明，然后从构图和染色技法两方面分析探讨了传统工笔花鸟画的艺术特色。第二章通过介绍现当代几位比较有代表性的工笔花鸟画家来分析画家们在当代艺术语境下对“化古以出新”的诠释。第三章是本文的重点，分别从题材选取与内容描绘、构图形制与色彩观念、材料的丰富和技法的扩展三个方面阐述了我在工笔花鸟画创作过程中对“化古以出新”进行的尝试与探索。最后简单介绍了一下研究生期间的作品。
[Abstract]:With the progress of the times and the constant improvement of the public's concept and consciousness, meticulous flower-and-bird paintings have also been greatly developed, especially in recent years. The aesthetic diversity brought by more and more international art exchanges leads to the diversification of people's demand for works of art. The fine brushwork flower-and-bird painting has greatly changed compared with the traditional model in terms of color, subject matter, schema language and so on, and has also made innovations and breakthroughs in performance style and material techniques. In the first chapter of this paper, the author gives a brief explanation and explanation of "ancient" and "new", and then analyzes and discusses the artistic characteristics of traditional flower-and-bird paintings from the aspects of composition and dyeing techniques. In the second chapter, the author introduces some modern and contemporary painters of fine brushwork and birds to analyze their interpretation of "turning the ancient into the new" in the context of contemporary art. The third chapter is the focus of this paper, from the theme selection and content description, composition and color concept, The enrichment of materials and the expansion of techniques have expounded my attempt and exploration of "turning the ancient into the new" in the process of the fine brushwork of flower-and-bird painting. Finally, a brief introduction to the work of graduate students.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
本文编号：2381740
[Abstract]:With the progress of the times and the constant improvement of the public's concept and consciousness, meticulous flower-and-bird paintings have also been greatly developed, especially in recent years. The aesthetic diversity brought by more and more international art exchanges leads to the diversification of people's demand for works of art. The fine brushwork flower-and-bird painting has greatly changed compared with the traditional model in terms of color, subject matter, schema language and so on, and has also made innovations and breakthroughs in performance style and material techniques. In the first chapter of this paper, the author gives a brief explanation and explanation of "ancient" and "new", and then analyzes and discusses the artistic characteristics of traditional flower-and-bird paintings from the aspects of composition and dyeing techniques. In the second chapter, the author introduces some modern and contemporary painters of fine brushwork and birds to analyze their interpretation of "turning the ancient into the new" in the context of contemporary art. The third chapter is the focus of this paper, from the theme selection and content description, composition and color concept, The enrichment of materials and the expansion of techniques have expounded my attempt and exploration of "turning the ancient into the new" in the process of the fine brushwork of flower-and-bird painting. Finally, a brief introduction to the work of graduate students.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
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本文编号：2381740
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