自主与协作——建构美术学的世界眼光
发布时间：2018-12-16 01:34
【摘要】：正随着中国经济的迅速崛起,中国的政治、文化、艺术等各领域也吸引着世界关注的目光。与此同时,中国对于自身文化身份的认知,以及中国参与全球对话的可能性的反思,也比此前任何一个时期都更加强烈、更加理性。中国美术学的自身建构也被纳入这个思考之中。很长一段时间内,中国的美术学都没有走出"西方中心主义"的怪圈,至今的外国美术研究中,以美国为核心的西方现当代美术研究仍占据主要份
[Abstract]:With the rapid rise of Chinese economy, China's politics, culture, art and other fields have attracted the attention of the world. At the same time, China's perception of its cultural identity and the possibility of its participation in global dialogue are stronger and more rational than at any other time before. The self-construction of Chinese fine arts is also included in this thinking. For a long time, Chinese art science has not stepped out of the strange circle of "Western centrism". In foreign art studies, the contemporary and contemporary art studies, with the United States as the core, still occupy the main part.
【分类号】：J205
，
本文编号：2381637
[Abstract]:With the rapid rise of Chinese economy, China's politics, culture, art and other fields have attracted the attention of the world. At the same time, China's perception of its cultural identity and the possibility of its participation in global dialogue are stronger and more rational than at any other time before. The self-construction of Chinese fine arts is also included in this thinking. For a long time, Chinese art science has not stepped out of the strange circle of "Western centrism". In foreign art studies, the contemporary and contemporary art studies, with the United States as the core, still occupy the main part.
【分类号】：J205
，
本文编号：2381637
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