中国古代花鸟画与平面构成关系探索
发布时间:2018-12-15 23:14
【摘要】:中国现代画家将平面构成形式运用于他们的创作当中,使画面取得了新的视觉效果,中国画坛一般认为当代中国画的平面构成关系来自西方现代平面构成。其实,中国花鸟画自古以来就讲究画面构图的章法布局,中国花鸟画上插、下垂、横倚的构图法则,中国花鸟画的黑白、分割、疏密等对比关系,以及中国花鸟画常用的作画口诀等,其中都包含了对平面构成形式的表达与运用。所以本论文收集大量中国古代花鸟画作品,分析它们如何运用中国的平面构成来描绘花鸟鱼虫等等。 本论文的写作分为三个部分: 1、中国古代花鸟画构成研究和中国古代平面构成及平面设计研究现状进行文献综述。 2、首先梳理分析中国原始彩陶纹样中的平面构成形式,证明中国古代存在平面构成的所有形式,为进一步研究中国古代花鸟画的构成寻找理论依据作铺垫。然后将中国古代花鸟画所表达出来的平面构成形式做了图像分析,论证了中国花鸟画自古与平面构成有必然的关系。 3、将中国古代图文并茂的书籍设计形式与中国花鸟画诗、书、画、印相融合的艺术形式进行比较研究,得出中国古代平面设计中的书籍设计对中国花鸟画诗、书、画、印的艺术特点的形成有积极的意义。 本文在开题、写作的过程中,通过实地考察、文献研究,运用图像分析、比较研究等方法来完成。本研究得出结论:1、中国古代平面构成影响了中国古代花鸟画构图与画法。2、中国古代平面设计中的书籍设计对中国花鸟画诗、书、画、印的艺术特点的形成有积极的意义。这都是本文的创新点。
[Abstract]:Chinese modern painters apply the form of plane composition to their creation, which makes the picture obtain new visual effect. The Chinese painting circles generally think that the relationship of the plane composition of contemporary Chinese painting comes from the western modern plane composition. In fact, since ancient times, Chinese flower and bird paintings have paid attention to the layout of the composition of pictures, the rules of composition of Chinese flower and bird paintings that are inserted, pendulous, and horizontal, and the comparative relations between black and white, segmentation, and density of Chinese flower and bird paintings. And the Chinese flower-and-bird painting, which includes the expression and application of the form of plane composition. Therefore, this paper collected a large number of Chinese ancient flower and bird paintings, and analyzed how to use the Chinese plane structure to describe the flowers, birds, fish, insects and so on. The writing of this thesis is divided into three parts: 1. Literature review on the composition of Chinese ancient flower and bird painting and the research status of Chinese ancient plane composition and graphic design. 2. Firstly, the paper analyzes the plane constitution of the original painted pottery pattern in China, proves that all the forms of the plane constitution exist in ancient China, and lays the groundwork for the further study of the composition of the ancient Chinese flower and bird paintings. Then the image analysis is made on the plane form of the Chinese ancient flower and bird painting, and it is proved that the Chinese flower and bird painting has an inevitable relationship with the plane composition since ancient times. 3. By comparing the book design form of ancient China with the art form of Chinese flower and bird painting, book, painting and printing, the author draws the conclusion that the book design in the ancient Chinese graphic design has a great influence on the Chinese flower and bird painting poem, book and painting. The formation of the artistic characteristics of printing has positive significance. In the process of opening and writing, this paper is accomplished by field investigation, literature research, image analysis, comparative study and so on. The conclusions of this study are as follows: 1. The composition and painting method of Chinese ancient flower and bird paintings are influenced by the ancient Chinese plane composition. 2. The book design in the Chinese ancient graphic design has a great influence on the poetry, book and painting of Chinese flower and bird painting. The formation of the artistic characteristics of printing has positive significance. This is the innovation of this paper.
【学位授予单位】:西南大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J212
本文编号:2381441
[Abstract]:Chinese modern painters apply the form of plane composition to their creation, which makes the picture obtain new visual effect. The Chinese painting circles generally think that the relationship of the plane composition of contemporary Chinese painting comes from the western modern plane composition. In fact, since ancient times, Chinese flower and bird paintings have paid attention to the layout of the composition of pictures, the rules of composition of Chinese flower and bird paintings that are inserted, pendulous, and horizontal, and the comparative relations between black and white, segmentation, and density of Chinese flower and bird paintings. And the Chinese flower-and-bird painting, which includes the expression and application of the form of plane composition. Therefore, this paper collected a large number of Chinese ancient flower and bird paintings, and analyzed how to use the Chinese plane structure to describe the flowers, birds, fish, insects and so on. The writing of this thesis is divided into three parts: 1. Literature review on the composition of Chinese ancient flower and bird painting and the research status of Chinese ancient plane composition and graphic design. 2. Firstly, the paper analyzes the plane constitution of the original painted pottery pattern in China, proves that all the forms of the plane constitution exist in ancient China, and lays the groundwork for the further study of the composition of the ancient Chinese flower and bird paintings. Then the image analysis is made on the plane form of the Chinese ancient flower and bird painting, and it is proved that the Chinese flower and bird painting has an inevitable relationship with the plane composition since ancient times. 3. By comparing the book design form of ancient China with the art form of Chinese flower and bird painting, book, painting and printing, the author draws the conclusion that the book design in the ancient Chinese graphic design has a great influence on the Chinese flower and bird painting poem, book and painting. The formation of the artistic characteristics of printing has positive significance. In the process of opening and writing, this paper is accomplished by field investigation, literature research, image analysis, comparative study and so on. The conclusions of this study are as follows: 1. The composition and painting method of Chinese ancient flower and bird paintings are influenced by the ancient Chinese plane composition. 2. The book design in the Chinese ancient graphic design has a great influence on the poetry, book and painting of Chinese flower and bird painting. The formation of the artistic characteristics of printing has positive significance. This is the innovation of this paper.
【学位授予单位】:西南大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J212
【参考文献】
相关期刊论文 前10条
1 张晓东;张杰;;从中国画图式到西方平面构成[J];北京印刷学院学报;2006年04期
2 苏里曼;书籍装帧的版面设计艺术[J];包装工程;2005年05期
3 张来源;;中国传统文化艺术元素在现代平面设计中的运用[J];包装工程;2008年08期
4 齐振伦;;现代设计之中国传统设计元素运用研究[J];重庆科技学院学报(社会科学版);2012年10期
5 贺平;;浅议中国传统设计样式在现代平面设计中的应用[J];大家;2011年07期
6 付兴鹏;;浅析平面构成与中国传统绘画构图的关系[J];才智;2012年11期
7 袁自龙;;传统艺术元素在构成设计中的应用[J];南京工程学院学报(社会科学版);2008年02期
8 亢春光;;论平面构成原理在设计中的作用[J];焦作大学学报;2008年02期
9 陈乐;;浅析中国传统纹样构成与西方现代平面构成[J];美术大观;2007年12期
10 赵海棚;;中国画构图与现代平面设计构成方法[J];美术观察;2008年05期
,本文编号:2381441
本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/2381441.html