传统故实画画题刍议

发布时间：2018-12-30 21:41

【摘要】：传统人物画在发展变迁的过程中渐趋分化为肖像、道释、故实、风俗等门类。其中,故实画一门传统悠远,以往圣旧闻、历史典故、古贤轶事、神仙逸话等为绘制内容,名家辈出、累世相传。综合考察故实画,其核心在于绘画是"故实"内质,而画题正是故实的传达和表现。因此,对故实画画题的研究是把握这一类绘画的关键所在。本文在对故实画相关概念的辨析基础上分析了早期带有礼教特征的故实画,以及故实画的情节性、画题拓展与构图变化,并分析了《广川画跋》中的画题实证方法。
[Abstract]:In the course of development and vicissitude of traditional figure painting, it is gradually divided into portrait, Taoism, truth, custom and so on. Among them, the truth painting a traditional distant, the past holy old news, historical allusions, ancient anecdotes, fairy words and so on for the drawing content, famous writers have been handed down from time to time. The core of the comprehensive investigation is that the painting is the essence of the old reality, and the painting title is the transmission and expression of the reason and reality. Therefore, it is the key to grasp this kind of painting. In this paper, based on the analysis of the related concepts of the traditional painting, the author analyzes the characteristics of the ancient realistic painting with the characteristics of etiquette, the plot, the expansion and the composition of the painting, and analyzes the empirical method of the painting title in "the Postscript of Guangchuan painting".
【作者单位】：首都师范大学美术学院;
【分类号】：J212

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