论中国写意油画的形式语言

发布时间：2019-01-14 11:23

【摘要】：中国写意油画是油画民族化的产物，是西方油画在传入中国的过程中受中国传统文化影响，逐渐演变而成的一种新型表现形式。中国写意油画因其不仅继承了西方油画的特性，同时还具有中国文化特征，受到中国油画界的关注，并以这种独具民族文化特征的形式语言，成为中国油画主流表现形式之一。然而其独特的形式语言是中国写意油画最直观和最显著的特征，，形式语言作为作品的外貌特征，也是作品内容的外在体现，它承载着创作主体的个人情感，更承载着情感背后的文化因素。因此，要正确解读和赏析中国写意油画，还要从其形式语言着手，以一种由表及里的方式去理解中国写意油画及其形式语言的纯粹性。本文从中国文化范畴内和艺术家本身所具有的知识结构去思考中国写意油画形式语言的自觉性转变，以及在全球文化整合下所面临的挑战和未来的发展方向。
[Abstract]:Chinese freehand brushwork oil painting is the product of nationalization of oil painting. It is a new form of expression formed by the influence of Chinese traditional culture in the process of western oil painting being introduced into China. Chinese freehand oil painting not only inherits the characteristics of western oil painting, but also has Chinese cultural characteristics, which has attracted the attention of the Chinese oil painting circle, and has become one of the mainstream forms of Chinese oil painting with this unique national cultural characteristics of the form language. However, its unique formal language is the most intuitive and prominent feature of Chinese freehand brushwork. As the appearance feature of the work, the formal language is also the external embodiment of the content of the work, which bears the personal emotion of the creative subject. It also bears the cultural factors behind the emotion. Therefore, in order to correctly interpret and appreciate Chinese freehand brushwork, we should start from its formal language and understand the purity of Chinese freehand brushwork and its formal language in a way from the surface to the inside. From the perspective of Chinese culture and the knowledge structure of the artists themselves, this paper tries to reflect on the change of consciousness of the formal language of Chinese freehand oil painting, the challenges and the future development direction under the global cultural integration.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

【参考文献】