对现当代梯田题材山水画的研究
发布时间：2019-01-14 12:24
【摘要】：中国山水画的历史源远流长,变革与创新是其系统发展的内部动因,传统山水画转入当代的一个重要信息即创作题材的当代化。其中,梯田题材的山水画的生发,进一步丰富了中国山水画的内容及精神。近年增速的城市化进程,覆盖了昔日的良田,但覆盖不了人们对乡野之趣的追求,梯田作为“人化的自然”,是人们改造自然、解放生产的产物,其自然、天真之趣,吸引了现当代画家援之入画。 本文共分三章探讨梯田题材山水画：第一章,通过对现当代山水画创作状况的分析,探寻梯田山水成为一种较普遍题材的原因及其流行的意义,揭示其出现的文化背景；第二章,通过具体、形象、可感的图例进行比较、分析,归纳、整理、总结出梯田山水与传统主流山水有什么区别或不同,它有什么内涵精神,按照作品风格对梯田题材山水画进行分类总结,并试图找出不同类型梯田山水画的创作路线；第三章,主要讲述笔者在创作过程中遇到的问题及解决的办法,既需要继承传统又要面对新的现实生活,勇于尝试与探索。我在创作过程中,才发现中国画线条表现的灵活性与重要性,考虑到梯田结构的形式美,我主要用到了传统山水技法中的勾法来塑造线条,将中锋与侧锋兼用,解决梯田形式美感的结构处理,行笔时要注意把握运笔的起承转折。此外,梯田题材山水画虽然已有一些人进行创作,但还不够成熟,还有很多值得挖掘的笔墨语言与表现形式值得我们继续探索。
[Abstract]:The history of Chinese landscape painting has a long history. Reform and innovation are the internal reasons for its systematic development. Among them, terrace theme landscape painting hair, further enriched the content and spirit of Chinese landscape painting. The process of urbanization in recent years has covered the good fields of the past, but it does not cover people's pursuit of the interests of the countryside. Terraces, as "humanized nature", are the products of people's transformation of nature and liberation of production, and their natural and naive interests. It attracted the help of modern and contemporary painters. This article altogether divides into three chapters to discuss terrace subject matter landscape painting: the first chapter, through the analysis to the present and contemporary landscape painting creation condition, explores the terrace landscape to become a kind of popular theme reason and the popular significance, reveals its cultural background; The second chapter, through the concrete, the image, the sense legend carries on the comparison, analyzes, induces, arranges, summarizes the terrace landscape and the traditional mainstream landscape has any difference or the difference, it has what connotation spirit, According to the style of the works, the landscape paintings of terrace theme are classified and summarized, and try to find out the creative route of different types of terrace landscape paintings; In the third chapter, the author mainly describes the problems encountered in the process of creation and the solutions, which need to inherit the tradition and face the new real life, and dare to try and explore. In the process of my creation, I discovered the flexibility and importance of the performance of Chinese painting lines. Considering the formal beauty of terrace structures, I mainly used the hook method in the traditional landscape techniques to shape the lines, using both the center front and the side front. To solve the structural treatment of terrace form aesthetic sense, we should pay attention to the starting point of carrying pen. In addition, terraced landscape painting has been created by some people, but it is not mature enough. There are many words and expressions worth excavating.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
本文编号：2408690
[Abstract]:The history of Chinese landscape painting has a long history. Reform and innovation are the internal reasons for its systematic development. Among them, terrace theme landscape painting hair, further enriched the content and spirit of Chinese landscape painting. The process of urbanization in recent years has covered the good fields of the past, but it does not cover people's pursuit of the interests of the countryside. Terraces, as "humanized nature", are the products of people's transformation of nature and liberation of production, and their natural and naive interests. It attracted the help of modern and contemporary painters. This article altogether divides into three chapters to discuss terrace subject matter landscape painting: the first chapter, through the analysis to the present and contemporary landscape painting creation condition, explores the terrace landscape to become a kind of popular theme reason and the popular significance, reveals its cultural background; The second chapter, through the concrete, the image, the sense legend carries on the comparison, analyzes, induces, arranges, summarizes the terrace landscape and the traditional mainstream landscape has any difference or the difference, it has what connotation spirit, According to the style of the works, the landscape paintings of terrace theme are classified and summarized, and try to find out the creative route of different types of terrace landscape paintings; In the third chapter, the author mainly describes the problems encountered in the process of creation and the solutions, which need to inherit the tradition and face the new real life, and dare to try and explore. In the process of my creation, I discovered the flexibility and importance of the performance of Chinese painting lines. Considering the formal beauty of terrace structures, I mainly used the hook method in the traditional landscape techniques to shape the lines, using both the center front and the side front. To solve the structural treatment of terrace form aesthetic sense, we should pay attention to the starting point of carrying pen. In addition, terraced landscape painting has been created by some people, but it is not mature enough. There are many words and expressions worth excavating.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
【参考文献】
相关期刊论文 前1条
1 王振中;中国画教学40年[J];贵州大学学报(艺术版);2002年03期
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