论漆画创作过程中的肌理与意趣
发布时间：2019-01-14 13:27
【摘要】：中国是漆文化的发源地。我们的祖先经过数千年对漆工艺的磨砺,摸索出了的丰富多彩的漆工艺形式,成就了中华民族辉煌的漆文化历史,并给我们留下了无数的物质文化遗产与精神文化遗产。随着我国工业化、信息化的不断完善和发展,漆画也来到了一个崭新的全球化的时代,呈现出了一个多元化的艺术舞台,原有的艺术形式、艺术内容和艺术语言都在随着时代的发展而逐渐发生了变化,更有新兴的艺术形式在重新诠释着人们对艺术的理解。 漆画艺术经过几十年的发展,终于实现了从注重工艺性及装饰性的实用性艺术到转变为注重内在审美及精神内涵的纯艺术范畴,并成为一个可供艺术家进行艺术创作的独立画种。一批批漆画艺术家们正在用手中的材料,思考着创作形式的转变,并通过更多的努力完成更高层次的蜕变。 但是,以材料语言的表现为主要表现对象的现代画种,更需扬长避短,发挥材料在漆画艺术表现中的作用,积极探索肌理在漆画表现中的作用。在漆画中构建一个具有强大特性和稳定性的本体语言系统。最终通过材料语言的探索,将肌理的表现成为漆画艺术表现的载体,达到审美意趣的提升。本文旨在通过浅显的论述,阐明在漆画创作过程中,关于材料语言中肌理的探索的重视,并注重肌理语言的内在情感意趣的表达。
[Abstract]:China is the birthplace of lacquer culture. Our ancestors honed the lacquer process for thousands of years and found out the rich and colorful lacquer craft form, which made the Chinese nation glorious history of lacquer culture, and left us countless material and cultural heritage and spiritual cultural heritage. With the continuous improvement and development of China's industrialization and informatization, lacquer painting has also come to a new era of globalization, presenting a diversified art stage, the original art form, The content and language of art have changed with the development of the times, and the new art forms are reinterpreting people's understanding of art. After decades of development, the lacquer painting art has finally realized the change from practical art with emphasis on craftsmanship and decoration to a pure artistic category which emphasizes the inner aesthetic and spiritual connotation. And to become an artist for artistic creation of an independent kind of painting. A number of lacquer artists are using their materials to think about the changes in their creative forms and to achieve higher levels of transformation through more efforts. However, modern painting, whose main object is the performance of material language, should take advantage of its advantages and avoid weaknesses, play its role in the artistic expression of lacquer painting, and actively explore the role of texture in the performance of lacquer painting. Construct an ontology language system with strong characteristics and stability in lacquer painting. Finally, through the exploration of material language, the expression of texture becomes the carrier of artistic expression of lacquer painting, and achieves the promotion of aesthetic interest. The purpose of this paper is to expound the importance of the exploration of texture in the material language in the process of lacquer painting creation, and to pay attention to the expression of the inner emotional interest of the texture language.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213.9
本文编号：2408735
[Abstract]:China is the birthplace of lacquer culture. Our ancestors honed the lacquer process for thousands of years and found out the rich and colorful lacquer craft form, which made the Chinese nation glorious history of lacquer culture, and left us countless material and cultural heritage and spiritual cultural heritage. With the continuous improvement and development of China's industrialization and informatization, lacquer painting has also come to a new era of globalization, presenting a diversified art stage, the original art form, The content and language of art have changed with the development of the times, and the new art forms are reinterpreting people's understanding of art. After decades of development, the lacquer painting art has finally realized the change from practical art with emphasis on craftsmanship and decoration to a pure artistic category which emphasizes the inner aesthetic and spiritual connotation. And to become an artist for artistic creation of an independent kind of painting. A number of lacquer artists are using their materials to think about the changes in their creative forms and to achieve higher levels of transformation through more efforts. However, modern painting, whose main object is the performance of material language, should take advantage of its advantages and avoid weaknesses, play its role in the artistic expression of lacquer painting, and actively explore the role of texture in the performance of lacquer painting. Construct an ontology language system with strong characteristics and stability in lacquer painting. Finally, through the exploration of material language, the expression of texture becomes the carrier of artistic expression of lacquer painting, and achieves the promotion of aesthetic interest. The purpose of this paper is to expound the importance of the exploration of texture in the material language in the process of lacquer painting creation, and to pay attention to the expression of the inner emotional interest of the texture language.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213.9
【引证文献】
相关硕士学位论文 前1条
1 王萌;由摄影转化为漆画创作探析[D];扬州大学;2015年
，本文编号：2408735
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