山水文化与太行情结—太行主题山水画研究
发布时间：2019-01-15 06:52
【摘要】：太行山地处中原地区,其地势地貌以敦厚与婉约并称,其作为北方大山的代表集众山之灵蕴,且历史文化积淀深厚。自古以来为争夺中原,据守太行为重要战略要策,所以太行以“民族脊梁”著称,太行山由自然山水文化逐渐演变成一种太行的山水文化。对于历代文人、画家来说,太行山独特的地貌特征与深厚的文化积淀吸引着他们放下尘事,慢慢享受山林之美妙来修身养性,这一现象逐渐使得太行的山林隐逸文化形成。画家、文人对太行的眷恋引起的创作欲,表现在山水画语言构成方面,自五代荆浩及其继任者伊始,以为太行造像的全景式构图和较为浑厚的笔墨语言来彰显太行宏大之势,而至南宋四家取边角之景的山水程式来表现对祖国山河破裂的伤痛,逐渐将太行等北方山水图式发展成一种简约的笔墨构成方式。后来的元明清时期除却政治原因,绘画上几乎再无涉猎,偶然出现的北方山体作品也仅为抒写胸臆为主,山石山体的勾勒既南既北。直至发展到近现代,太行等北方山体再一次被重拾于山水画坛,以魏紫熙为首的在太行扎根,刻写太行之根,至后来贾又福、吕云所等人为太行立碑、传千古浩气来形容笔下太行,将太行山水画进一步推向现代山水画坛。近年来逐渐衍生出的画家太行情结与“太行现象”,呼唤着新一代画家重新以独特的精神与视觉认知来对太行山水语言再探索,回归南宋对山水的打破重组,采用物象的搬移、填充等方式来重新构成画面,并根据自然色与外在光源的渲染之色施以至画面中做太行之“颜”,最终求得画面中的太行山成为画者借景抒情、以景达意的理想胜境,为祖国山河立传,让观者能感受到大的山水文化背景下太行山的意韵构成,从而创作出无愧于时代的新太行山水。
[Abstract]:The Taihang Mountain is located in the Central Plains, and its topography is called Dunhou and graceful. As the representative of the northern mountains, it gathers the spirit of the mountains, and its historical and cultural accumulation is profound. Since ancient times, in order to compete for the Central Plains, Taihang is famous for its "national backbone", and Taihang Mountain gradually evolved from natural landscape culture to a Taihang landscape culture. For the literati and painters of the past dynasties, the unique geomorphological features and deep cultural accumulation of Taihang Mountain attracted them to put down the dust and slowly enjoy the beauty of the mountain and forest to cultivate themselves. This phenomenon gradually made Taihang's mountain and forest seclusion culture form. The desire of the painters and literati for the creation of Taihang is manifested in the composition of landscape painting language. From the beginning of the five dynasties Jing Hao and his successor, he thought that the panoramic composition of Taihang's statues and the more profound brush and ink language showed the grand trend of Taihang. To the south of the Song Dynasty, the landscape pattern of the four families took the edge of the corner to express the pain of the rupture of the mountains and rivers of the motherland, and gradually developed the northern landscape schema such as Taihang into a simple style of composition of pen and ink. In the Yuan, Ming and Qing dynasties, except for political reasons, there was almost no dabbling in painting. Until the modern and modern times, the northern mountains such as Taihang were once again picked up in the landscape painting world. Wei Zixi, led by Wei Zixi, took root in Taihang, engraved the roots of Taihang, and later put up a monument for Taihang, such as Jia Youfu, Lv Yunsuo, and so on. To describe Taihang, Taihang landscape painting further to the modern landscape painting world. In recent years, the painters' love complex of Taihang and "the phenomenon of Taihang" have been gradually derived, which calls for a new generation of painters to re-explore the Taihang Mountain and Water language with their unique spirit and visual cognition, and return to the Southern Song Dynasty to break and reorganize the landscape and adopt the moving of objects. Fill and other ways to reconstitute the picture, and according to the natural color and the external light source rendering color to the picture to do the "Yan", the final picture of the Taihang Mountain to become a scene to express their feelings, with the ideal landscape of the scenery, For the motherland mountain river, let the viewer can feel the Taihang mountain under the big landscape culture background, thus creates the new Taihang mountain water worthy of the times.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
本文编号：2408945
[Abstract]:The Taihang Mountain is located in the Central Plains, and its topography is called Dunhou and graceful. As the representative of the northern mountains, it gathers the spirit of the mountains, and its historical and cultural accumulation is profound. Since ancient times, in order to compete for the Central Plains, Taihang is famous for its "national backbone", and Taihang Mountain gradually evolved from natural landscape culture to a Taihang landscape culture. For the literati and painters of the past dynasties, the unique geomorphological features and deep cultural accumulation of Taihang Mountain attracted them to put down the dust and slowly enjoy the beauty of the mountain and forest to cultivate themselves. This phenomenon gradually made Taihang's mountain and forest seclusion culture form. The desire of the painters and literati for the creation of Taihang is manifested in the composition of landscape painting language. From the beginning of the five dynasties Jing Hao and his successor, he thought that the panoramic composition of Taihang's statues and the more profound brush and ink language showed the grand trend of Taihang. To the south of the Song Dynasty, the landscape pattern of the four families took the edge of the corner to express the pain of the rupture of the mountains and rivers of the motherland, and gradually developed the northern landscape schema such as Taihang into a simple style of composition of pen and ink. In the Yuan, Ming and Qing dynasties, except for political reasons, there was almost no dabbling in painting. Until the modern and modern times, the northern mountains such as Taihang were once again picked up in the landscape painting world. Wei Zixi, led by Wei Zixi, took root in Taihang, engraved the roots of Taihang, and later put up a monument for Taihang, such as Jia Youfu, Lv Yunsuo, and so on. To describe Taihang, Taihang landscape painting further to the modern landscape painting world. In recent years, the painters' love complex of Taihang and "the phenomenon of Taihang" have been gradually derived, which calls for a new generation of painters to re-explore the Taihang Mountain and Water language with their unique spirit and visual cognition, and return to the Southern Song Dynasty to break and reorganize the landscape and adopt the moving of objects. Fill and other ways to reconstitute the picture, and according to the natural color and the external light source rendering color to the picture to do the "Yan", the final picture of the Taihang Mountain to become a scene to express their feelings, with the ideal landscape of the scenery, For the motherland mountain river, let the viewer can feel the Taihang mountain under the big landscape culture background, thus creates the new Taihang mountain water worthy of the times.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
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