论油画同其他绘画形式的跨界与融合

发布时间：2019-01-20 16:45

【摘要】：“跨界”(Crossover)，这一说法在最近几年出现的频率非常之高，不同艺术领域和艺术形式之间的相互借鉴和相互渗透越来越密切和普遍。当今的艺术不再是单纯的一个形式，它不断地向更多领域延伸、拓展和重组。“跨界是思想的呼吸”，艺术观念转换的同时，艺术市场的导向也催化了艺术家的个人选择，这种观念和形式的结合打破了原有的艺术界限，同时也是艺术家不断发现自我、挑战自我、提升作品价值的过程。本文以跨界为切入点，对现代艺术领域的跨界现象进行整理和分析，探索其发展的历程，分析跨界艺术作品的特点，并综合归纳出油画与版画，油画与国画之间的跨界与融合。本人分四章来论述：首先，第一章从国际和国内两个方面阐述当代艺术中普遍存在的跨界现象，并举例说明这些跨想现象由来已久，是社会变革和经济发展的产物，正如清初石涛所说“笔墨当随时代”。由这些分析得出结论，在艺术市场的作用下跨界已经成为一种主流趋势，并且这些跨界现象有其存在的合理性与必然性。第二章和第三章作为本文重点，以油画与版画，油画与国画之间的跨界为重点加以展开，举例分析这种跨界现象出现的原因及产生的积极作用。版画和国画的语言及表现手法与油画相互融合与联动，使油画的表达更加多元化，提升了大众审美与视觉感受，同时也要求艺术家要打破因循守旧，以率真敏锐的眼光看待事物的发展从而进行艺术创作。第四章分析油画跨界以后所产生的积极价值和存在的负面因素，，从学术的角度、市场的角度、艺术家自身观念的角度，辩证的分析跨界的利弊。不成熟的跨界无益于艺术的发展，艺术的目的也不是逐利，只有这样才能使艺术道路走的更远，才能促进艺术市场的良性发展。最后结语点明本篇论文的结论：跨界的目的是艺术的无界与融合。这种融合不是简单的叠加，而是源于更深层次的艺术创造，只有这样才能打破这些艺术本身形式的界限，达到无界与融合的艺术境界。
[Abstract]:The term "cross-border" (Crossover), appears very frequently in recent years, and the mutual reference and infiltration between different art fields and art forms are becoming more and more close and common. Today's art is no longer a simple form, it continues to extend, expand and reorganize into more fields. "Trans-boundary is the breath of thought", while the artistic concept changes, the artistic market orientation also catalyzes the artist's individual choice, this kind of concept and the form union has broken the original artistic boundary, also is the artist unceasingly discovers oneself, The process of challenging oneself and enhancing the value of the work. In this paper, the cross-border phenomenon in the field of modern art is sorted out and analyzed, the development course is explored, the characteristics of the cross-border works of art are analyzed, and the cross boundary and fusion between oil painting and printmaking, oil painting and traditional Chinese painting are summed up synthetically. I am divided into four chapters: first, the first chapter from the international and domestic aspects of the universal existence of cross-border phenomena in contemporary art, and examples of these cross-thinking phenomenon has a long history, is the product of social change and economic development. As Shi Tao said in the early Qing Dynasty, "pen and ink should follow the times." From these analyses, it is concluded that the cross-border phenomenon has become a mainstream trend under the influence of the art market, and the existence of these cross-border phenomena has its rationality and inevitability. The second and third chapters as the focus of this paper, oil painting and printmaking, oil painting and traditional Chinese painting as the focus of cross-border development, with examples to analyze the reasons for the emergence of this cross-border phenomenon and its positive role. The language and expression of printmaking and traditional Chinese painting combined with oil painting, which made the expression of oil painting more diversified and enhanced the aesthetic and visual feelings of the public. At the same time, artists were required to break the conventionality. To look at the development of things with a frank and sharp eye, and thus to create art. The fourth chapter analyzes the positive value and negative factors of oil painting after crossing the border, from the academic point of view, the market perspective, the artist's own concept angle, dialectical analysis of the advantages and disadvantages of cross-border. Immature cross-border is not conducive to the development of art, the purpose of art is not profit, only in this way can the art road go further, can promote the benign development of the art market. Finally, the conclusion of this paper is pointed out: the purpose of cross-boundary is the unbounded and fusion of art. This fusion is not a simple superposition, but originates from deeper artistic creation. Only in this way can we break the boundary of these art forms and reach the artistic realm of boundlessness and fusion.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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