试论巴尔蒂斯绘画中的结构和归纳
发布时间：2019-01-27 21:48
【摘要】：进入二十世纪以来，随着时代的发展，各种画坛流派开始盛行，在此同时架上绘画被戴上了守旧的头衔，很多艺术家开始逐步的追求时尚潮流，随着市场经济的波动表现出困惑和无奈，在历史的潮流中巴尔蒂斯没有被埋没，他是二十世纪鲜有的坚持不懈走具象主义的绘画大师，虽然他并未接受过正规院校的教育培训，但是他坚持向古典主义大师学习，他以博大的情怀吸收各种有利的文化思想理念，不管是中国传统的绘画，还是日本浮世绘的装饰，不管是文学的，还是数学几何的，他同普桑一样也坚信“绘画的革新不在于一种从未见过的题材，，而在于优秀而新颖的布置和表现”，本文所分析的“结构”与“归纳”正是他对于社会生活和自然生活中普遍题材标新立异的布置表现方式。 所以本文通过对巴尔蒂斯绘画的基本特征入手，逐步分析他画面的结构与归纳的来源以及表现形式在画面中的运用，比如他将抽象形式元素融入到具象画面的处理中，通过对体块方向、大小比例、线的运用，以及对明暗色彩的归纳，装饰图案在作品中作为独特的构成因素，对画面进行协调、分割、平衡的作用，从而加强了画面的节奏感与内在秩序感，使画面既有张力的同时又极具稳定感。 在他的画面中人物间的冷漠与疏离同画面的结构布置使画面具有创新感与现代感，同时他对东方文化有着浓厚的兴趣与深入的探究，他的艺术作品中透视关系被削弱后，呈现出的平面性和装饰性特色彰显着独特的东方意味和情怀。学习他让我们对具象绘画有更深刻的认识，同时也希望解决绘画艺术中的困境，提升作为绘画者应有的艺术品质与技艺。更希望青年艺术家能够结合本土文化去学习研究，这将对中国未来的绘画方向发展有一定的启迪作用。
[Abstract]:Since the 20th century, with the development of the times, all kinds of painting schools have become popular. At the same time, painting on the shelf has been put on the old-fashioned title. Many artists have begun to pursue the fashion trend step by step. With the fluctuation of the market economy showing confusion and helplessness, Baltiz has not been buried in the tide of history. He is a painting master who is rarely seen in the 20th century, unswervingly walking on representativism, although he has not received any education and training from the formal colleges. But he insisted on learning from the masters of classicism. He absorbed all kinds of favorable cultural ideas, whether they were Chinese traditional paintings, Japanese embellishments, literature or mathematical geometry. Like Pusanne, he believed that "the innovation in painting lies not in a subject that has never been seen, but in excellent and novel arrangement and performance". The "structure" and "induction" analyzed in this paper are the expression of his creative arrangement of the common themes in social life and natural life. So this article begins with the basic features of Baltiz's paintings, and analyzes gradually the structure and inductive sources of his paintings and their application in the picture, for example, he integrates the abstract form elements into the processing of the concrete picture. Through the use of body mass direction, size ratio, line, as well as the induction of bright and dark colors, decorative patterns are used as unique composition factors in the works to coordinate, divide and balance the pictures. Thus strengthening the sense of rhythm and internal order, making the picture both tension and a sense of stability. In his paintings, the coldness and alienation between the characters and the structure of the same picture make the picture have a sense of innovation and modernity. At the same time, he has a strong interest in eastern culture and a deep exploration. After the perspective relationship in his works of art is weakened, The plane and decorative features show the unique oriental meaning and feelings. Learning from him gives us a deeper understanding of figurative painting, and at the same time, we hope to solve the plight of painting art, and to improve the artistic quality and skills of painters. It is hoped that young artists can study and study in combination with local culture, which will enlighten the future development of Chinese painting.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
本文编号：2416728
[Abstract]:Since the 20th century, with the development of the times, all kinds of painting schools have become popular. At the same time, painting on the shelf has been put on the old-fashioned title. Many artists have begun to pursue the fashion trend step by step. With the fluctuation of the market economy showing confusion and helplessness, Baltiz has not been buried in the tide of history. He is a painting master who is rarely seen in the 20th century, unswervingly walking on representativism, although he has not received any education and training from the formal colleges. But he insisted on learning from the masters of classicism. He absorbed all kinds of favorable cultural ideas, whether they were Chinese traditional paintings, Japanese embellishments, literature or mathematical geometry. Like Pusanne, he believed that "the innovation in painting lies not in a subject that has never been seen, but in excellent and novel arrangement and performance". The "structure" and "induction" analyzed in this paper are the expression of his creative arrangement of the common themes in social life and natural life. So this article begins with the basic features of Baltiz's paintings, and analyzes gradually the structure and inductive sources of his paintings and their application in the picture, for example, he integrates the abstract form elements into the processing of the concrete picture. Through the use of body mass direction, size ratio, line, as well as the induction of bright and dark colors, decorative patterns are used as unique composition factors in the works to coordinate, divide and balance the pictures. Thus strengthening the sense of rhythm and internal order, making the picture both tension and a sense of stability. In his paintings, the coldness and alienation between the characters and the structure of the same picture make the picture have a sense of innovation and modernity. At the same time, he has a strong interest in eastern culture and a deep exploration. After the perspective relationship in his works of art is weakened, The plane and decorative features show the unique oriental meaning and feelings. Learning from him gives us a deeper understanding of figurative painting, and at the same time, we hope to solve the plight of painting art, and to improve the artistic quality and skills of painters. It is hoped that young artists can study and study in combination with local culture, which will enlighten the future development of Chinese painting.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
【参考文献】
相关期刊论文 前1条
1 ;巴尔蒂斯致北京书[J];世界美术;1995年03期
本文编号：2416728
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2416728.html
