林风眠与莫迪里阿尼绘画中的诗意特质研究

发布时间：2019-01-28 07:38

【摘要】：“诗意”是中国古典美学中的一个重要美学范畴，它孕育于社会生活和自然界中，它感动创作者，激动观看者，是一种新鲜优美的艺术内容要素。它蕴含着有利于人类整体生存发展趋向的精神激励信息。“诗意”一词不仅出现在文学领域，在绘画领域也有着广阔生命的外延。因此我们也可从绘画的角度，透过林风眠和莫迪里阿尼的绘画作品和形式语言，对“诗意”特质进行探析，并深入理解其含义。林风眠与莫迪里阿尼是19世纪末20世纪初中西方具有代表性的两个画家，两人虽所绘画种不同，但他们作品中的绘画语言都有一种单纯化的倾向，画面中流露出的诗意特质让人徜徉其中，心旷神怡。他们都在各自的领域里取得了较高的成就，也各自运用着独特的艺术语言，追求着心灵的自由，并通过线、色、形、面等，创造出别样的形式美，追求一种诗意的平和、宁静的表达。林风眠的绘画作品具有诗意的情怀，，体现出东方文化的特质，具有中国艺术内在的精神意蕴。他绘画中的构图、线条、墨与彩的交织、情与景的交融，打破了中国画的某些禁忌，达到前所未有的高度，给人以诗意的享受。莫迪里阿尼独具的诗人气质，深刻地创造出了一种特殊的艺术风格。在他的画作中，造型和审美趣味受到时代的影响，却始终有着挥之不去的“古典情结”。我们从斜倚或直立的人体上，看到被拉长的人体比例，神经质般的线条及忧郁的眼神，她们造型自然，姿态优雅，都向我们展现出一种恬静、成熟之美，满含古典唯美和诗化的倾向。他们都有着较为残酷的命运，所画人物在保持个性的同时又都有一种忧郁、哀怨的神情，仿佛这是艺术家本人对这个世界感受的同化，也许是因为这淡淡的忧伤，反而让画面更充满诗意。在时代的浪潮中，他们依然坚持自我，尊重个性，散发出如诗人般的气质。他们笔下的形象如优雅的抒情诗一般令人陶醉，通过品味两位大师的作品，我们可以感觉到如诗一般的语言，这些带给我们的不仅仅是视觉上的美感，更是精神上的享受。所以，本文通过研究二位大师的绘画作品，深入探究其绘画作品中的诗意特质。
[Abstract]:Poetry is an important aesthetic category in Chinese classical aesthetics. It is conceived in social life and nature. It moves the creator and excites the viewer. It is a fresh and beautiful element of art content. It contains the spiritual incentive information which is beneficial to the overall survival and development of human beings. The term "poetic meaning" appears not only in the field of literature, but also in the field of painting. Therefore, from the perspective of painting, through Lin Fengmian and Modigliani's painting works and formal language, we can analyze the characteristics of "poetic" and understand its meaning deeply. Lin Fengmian and Modigliani are two representative painters in China and the West at the end of the 19th century and the beginning of the 20th century. Although their paintings are of different kinds, the painting languages in their works have a tendency of simplicity. The poetic characteristics of the screen let people wander around, relaxed and happy. They have made great achievements in their respective fields, and have also used their own unique artistic language to pursue the freedom of the mind, and through lines, colors, shapes, faces and so on, they have created different forms of beauty and pursued a poetic peace. A quiet expression. Lin Fengmian's paintings have poetic feelings, reflect the characteristics of oriental culture, and have the spiritual meaning of Chinese art. The interweaving of composition, line, ink and color in his paintings, the blending of feelings and scenery, broke some taboos of Chinese painting, reached an unprecedented height, and gave people poetic enjoyment. Modigliani's unique poetic temperament has created a special artistic style. In his paintings, styling and aesthetic taste are influenced by the times, but there is always a lingering "classical complex". We can see the elongated proportion of the human body, the neurotic lines and the melancholy eyes from the lean or upright human body. They are natural in shape and graceful in posture. They all show us the beauty of tranquility and maturity. Full of classical aesthetic and poetic tendencies. They all have a more cruel fate, the characters in the painting while maintaining their personality but also a melancholy, sad look, as if this is the artist's assimilation of the world, perhaps because of this light sadness, On the contrary, it makes the picture more poetic. In the tide of the times, they still insist on themselves, respect their individuality and exude the qualities of poets. Their images are intoxicating as elegant lyric poems. Through the taste of the works of the two masters, we can feel the poetic language, which brings us not only visual beauty, but also spiritual enjoyment. Therefore, by studying the paintings of the two masters, this paper explores the poetic characteristics of their paintings.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205

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