文化史中的潘天寿

发布时间：2019-03-22 11:47

【摘要】：潘天寿时代的中国,正处于数千年未有的大变局之中。潘天寿以绘画并且以中国画为己任,选择进入了他那个时代的中国画特有处境。潘天寿信奉传统经典文化所孕育的个体人格力量,钟情于中国艺术特有的情韵、境界和格调,并且以弘扬其跻身世界文化之林的现代性价值与未来学价值为己任,甚至作为唯一的人生目标,为之百折不挠、奋斗不息。本文拟从潘天寿的文化处境着眼,寻绎其对待处境和超越处境的历史轨迹,希望能在常规视线之外发现一些文化史的意义。
[Abstract]:China, in the age of Pan Tianshou, is in a great transformation of thousands of years. Pan Tianshou, painting and taking Chinese painting as its own, chose to enter his special situation of Chinese painting in that time. Pan Tianshou believes in the individual personality power of the traditional classical culture, and is in love with the unique charm, realm and style of Chinese art, and to carry forward the modernity value and the unlearned value of the forest in the world culture, even as the sole purpose of life, to be flexible, For a long time. This paper is to find out the historical trace of the situation and the above situation from the perspective of the cultural situation of Pan Tianshou, and hope to discover the significance of some cultural history outside the regular line of sight.
【作者单位】：上海书画出版社;
【分类号】：J212

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