笔精墨妙—李可染对传统山水画笔墨的继承与创新
发布时间：2019-03-22 19:03
【摘要】：20世纪中叶以来,李可染作为倡导革新中国山水画的大师,对现代中国画坛产生了巨大影响。李可染以其独特的笔墨语言为现代中国画坛注入新的活力,尤其是在笔墨上的创新,更为新时代山水画的发展奠定了基础。李可染用其一生的艺术耕耘诠释了自己不断突破传统、大胆创新的艺术追求,并以独特的艺术语言成就了他在中国山水画中的历史地位,越来越多的学者也开始关注李可染山水画的笔墨语言。 本文主要从李可染山水画中精妙的笔墨角度进行研究,重点分析了他的笔墨来源、形成以及创新。首先通过搜集资料、借鉴优秀山水画作品,引入李可染山水画笔墨在时代背景影响下的变化,并分析笔墨变化的原因。接下来主要从李可染对传统山水画笔墨语言的突破和创新层面进行探究,突破创新是建立在继承传统、借鉴中西基础上的。从继承元代文人山水画笔墨和清代以龚贤和石涛为代表的创新山水画笔墨、借鉴西方绘画思想而来,到逐步形成自己独特的笔墨风格：在笔法上,他注重用笔的变化以及用笔的力度,将传统笔法与西方绘画之素描的技法相结合,增强了物象的造型感,强调笔法与墨法的结合；在墨法上,他注重对墨色的晕染、积墨法的创新、光色在墨色中的运用以及墨色在绘画中担任色彩角色的研究。正是在笔法墨、墨法上的创新形成了李可染绘画的笔精墨妙。文章最后对李可染的历史地位和影响进行进一步阐述。 李可染在笔墨艺术上的不断探索和创新,最终完成了对传统笔墨的突破,其山水画笔墨成为一种抽象的意蕴,其笔墨具有独特的审美价值和时代特征。李可染山水画笔墨艺术的创新对现当代山水画的发展有着重要的影响。
[Abstract]:Since the middle of the 20th century, Li Keran, as a master of the innovation of Chinese landscape painting, has had a great influence on modern Chinese painting. Li Keran, with his unique pen and ink language, has injected new vitality into the modern Chinese painting world, especially the innovation in pen and ink, and laid the foundation for the development of landscape painting in the new era. Li Keran explained his artistic pursuit of breaking through the tradition and bold innovation, and achieved his historical position in Chinese landscape painting with his unique artistic language. More and more scholars also began to pay attention to Li Keran landscape painting pen and ink language. In this paper, Li Keran's landscape painting from the perspective of exquisite pen and ink, focusing on the analysis of his pen and ink source, formation and innovation. Firstly, through collecting information, drawing lessons from excellent landscape painting works, introducing the change of Li Keran landscape painting ink under the background of the times, and analyzing the reasons for the change of pen and ink. Then mainly from Li Keran to the traditional landscape painting ink language breakthrough and innovation level to explore, breakthrough innovation is based on inheriting the tradition, drawing lessons from the Chinese and Western basis. From inheriting the brushwork and ink of the literati of the Yuan Dynasty and the creative landscape painting represented by Gong Xian and Shi Tao in the Qing Dynasty, drawing lessons from the western painting thought, to gradually form its own unique style of pen and ink: in the style of writing, He paid attention to the change of pen and the intensity of pen, combined the traditional pen method with the sketch technique of western painting, enhanced the shape feeling of object image, emphasized the combination of pen method and ink method; In ink law, he pays attention to the dizziness of ink color, the innovation of ink accumulation method, the application of light color in ink color, and the study of ink color playing a color role in painting. It is in the pen ink, ink on the creation of Li Keran painting fine ink. At the end of this paper, Li Keran's historical status and influence are further expounded. Li Keran's continuous exploration and innovation in the art of pen and ink, finally completed the breakthrough to the traditional pen and ink, his landscape painting pen and ink became an abstract implication, its pen ink has unique aesthetic value and the characteristics of the times. The innovation of Li Keran's landscape painting and ink art has an important influence on the development of modern and contemporary landscape painting.
【学位授予单位】：山东理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
本文编号：2445835
[Abstract]:Since the middle of the 20th century, Li Keran, as a master of the innovation of Chinese landscape painting, has had a great influence on modern Chinese painting. Li Keran, with his unique pen and ink language, has injected new vitality into the modern Chinese painting world, especially the innovation in pen and ink, and laid the foundation for the development of landscape painting in the new era. Li Keran explained his artistic pursuit of breaking through the tradition and bold innovation, and achieved his historical position in Chinese landscape painting with his unique artistic language. More and more scholars also began to pay attention to Li Keran landscape painting pen and ink language. In this paper, Li Keran's landscape painting from the perspective of exquisite pen and ink, focusing on the analysis of his pen and ink source, formation and innovation. Firstly, through collecting information, drawing lessons from excellent landscape painting works, introducing the change of Li Keran landscape painting ink under the background of the times, and analyzing the reasons for the change of pen and ink. Then mainly from Li Keran to the traditional landscape painting ink language breakthrough and innovation level to explore, breakthrough innovation is based on inheriting the tradition, drawing lessons from the Chinese and Western basis. From inheriting the brushwork and ink of the literati of the Yuan Dynasty and the creative landscape painting represented by Gong Xian and Shi Tao in the Qing Dynasty, drawing lessons from the western painting thought, to gradually form its own unique style of pen and ink: in the style of writing, He paid attention to the change of pen and the intensity of pen, combined the traditional pen method with the sketch technique of western painting, enhanced the shape feeling of object image, emphasized the combination of pen method and ink method; In ink law, he pays attention to the dizziness of ink color, the innovation of ink accumulation method, the application of light color in ink color, and the study of ink color playing a color role in painting. It is in the pen ink, ink on the creation of Li Keran painting fine ink. At the end of this paper, Li Keran's historical status and influence are further expounded. Li Keran's continuous exploration and innovation in the art of pen and ink, finally completed the breakthrough to the traditional pen and ink, his landscape painting pen and ink became an abstract implication, its pen ink has unique aesthetic value and the characteristics of the times. The innovation of Li Keran's landscape painting and ink art has an important influence on the development of modern and contemporary landscape painting.
【学位授予单位】：山东理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
【参考文献】
相关博士学位论文 前1条
1 卜登科;李可染山水画“墨法”研究[D];中国艺术研究院;2008年
，本文编号：2445835
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