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美国抽象表现主义绘画观念和创作研究

发布时间:2019-03-26 15:16
【摘要】:抽象表现主义是二战之后纽约出现的一场广泛的艺术运动。针对抽象表现主义,肯沃思·莫菲特曾表达了自己的看法。他指出,法国和欧洲的画家受到战乱之苦,不得已来美国避难,使美国人感觉自己身处现代运动中心,这增强了美国人的信心,大力推动艺术活动的开展,并对欧洲绘画传统予以继承和发扬。刚刚结束二战,艺术的火焰迅速燃烧,抽象表现主义得到了较快发展,纽约也逐渐成为了世界艺术中心。 在抽象表现主义形成过程中,有两位绘画先驱对其发展产生了至关重要的影响,一位是汉斯·霍夫曼,另一位是阿夏尔·戈尔基。除此之外比较重要的画家还包括杰克逊·波洛克、巴尼特·纽曼和罗伯特·马瑟韦尔等。总的来看,抽象表现主义绘画中缺乏过多的描述性方法,而其表达概念往往通过两种方式,一种方式是表现性方法,另一种方式是构成性方法。两种方法的区分形成了行动画派和色域画派两个主要组成部分,行动画派的代表是德·库宁、波洛克等,而色域画派的代表是罗斯科、纽曼等;行动画派的创作基础是动作和姿态,色域画派则将色彩作为其表现事物的核心和关键。在此基础上,其画派内部充满变化,风格多样,技法不一。抽象表现主义绘画及其创作理论在美国乃至世界都有着重要的地位。直到上世纪50年代末,抽象表现主义发展黯淡,逐渐走向衰落。但是我们仍应该看到,它对后继的美国艺术影响深远。作为西方现代主义艺术后期代表,许多后继艺术家从中受到很大的启发。 通过研究抽象表现主义绘画创作理论及其历史语境,本文总结了抽象表现主义绘画形成过程中美学和非美学因素的交互影响,发现其创作实际是在继承欧洲现代主义绘画抽象与表现两大主流基础上的交融和突破策略,这种突破策略使其呈现出诸多崭新的审美特征。一方面,他们延续了自康德以来那种艺术审美自律的观念;一方面,他们又无意间在审美主体与客体之间做出新的探索,孕育了艺术转向的革命。本文将抽象表现主义绘画放入整个西方现代艺术叙事中审视,阐明其贡献和局限。作为现代主义最后的绽放,抽象表现主义中的诸多因素已经预示了当代艺术的发展方向,尽管这条艺术前行之路依旧晦暗不明。
[Abstract]:Abstract Expressionism is a widespread art movement in New York after World War II. For abstract expressionism, Kenworth Moffet has expressed his views. He pointed out that French and European painters suffered from the war and had to take refuge in the United States, making Americans feel like they are in the center of modern sports. This has strengthened the confidence of Americans and vigorously promoted the development of artistic activities. And to the European painting tradition to inherit and carry forward. Just after World War II, the flame of art burned rapidly, abstract expressionism developed rapidly, and New York gradually became the center of art in the world. In the process of the formation of abstract expressionism, two painting pioneers had a vital influence on its development, one was Hans Hoffman, the other was Archer Golgi. Other important painters include Jackson Pollock, Barnett Newman and Robert Marthwell. Generally speaking, abstract expressionism lacks too many descriptive methods, and its concept is often expressed in two ways, one is the expressive method, the other is the constructional method. The distinction between the two methods forms two main components: action painting school and color gamut painting school, the representative of action painting school is Dekkonen, Pollock, etc., while the representative of color gamut painting school is Roscoe, Newman and so on. Action painting is based on action and posture, while gamut painting takes color as its core and key. On this basis, his school of painting is full of changes, styles and techniques are different. Abstract expressionism painting and its creation theory play an important role in the United States and even the world. Until the late 1950s, the development of abstract expressionism was bleak and gradually declined. But we should still see that it has a profound impact on subsequent American art. As the late representative of western modernist art, many subsequent artists received great inspiration from it. Through the study of abstract expressionism painting creation theory and its historical context, this paper summarizes the interaction between aesthetic and non-aesthetic factors in the formation of abstract expressionism painting. It is found that his creation is a blend and breakthrough strategy on the basis of inheriting the abstractions and manifestations of European modernist painting. This breakthrough strategy makes it present many new aesthetic features. On the one hand, they continue the concept of artistic aesthetic self-discipline since Kant; on the one hand, they inadvertently make a new exploration between the aesthetic subject and object, which gave birth to the revolution of artistic turn. In this paper, abstract expressionism painting into the whole western modern art narrative to examine, clarify its contribution and limitations. As the last blooming of modernism, many factors in abstract expressionism have foretold the development of contemporary art, although the road forward is still obscure.
【学位授予单位】:山东大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J205

【参考文献】

相关期刊论文 前1条

1 Clement Greenberg,易英;走向更新的拉奥孔[J];世界美术;1991年04期



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