论木版年画元素在中国当代油画中的运用

发布时间：2019-03-26 20:45

【摘要】：木版年画是中国传统民间美术的重要组成部分之一，也是我国特有的普遍的一种传统民间艺术形式。木版年画独特的艺术语言样式，，也使其成为我们中华民族传统民间文化的宝贵财富。传统木版年画元素体现了中国传统美学中的审美追求，并且潜移默化地影响着中国的油画创作。同时传统木版年画元素也吸引了不少中国当代油画家，这些油画家们也将木版年画元素运用到了他们的油画创作当中，例如油画家刘大鸿、李天元、顾黎明等都对中国传统木版年画元素进行了不同程度的借鉴。从这些中国当代油画家借鉴传统木版年画元素的油画作品中，我们可以看到西方绘画技巧和中国本土文化内涵的完美融合西为中用，从而为中国当代油画的不断发展和进行本土化演变增加了一条新思路。正文首先介绍了木版年画的概述，并且将木版年画元素的特征，如造型、构图样式，色彩样式和题材特征逐一阐明。接着就叙述了对木版年画元素的色彩样式，造型、构图样式和题材特征这四个元素在中国当代油画中运用的具体表现。在文章的第三章，介绍了顾黎明、刘大鸿以及李开元、刘铁飞四位中国当代油画家在自己的油画创作中对木版年画元素各个不同方面的具体运用和借鉴，以此为第二章中的阐述提供了实例。最后对本文进行梳理，阐明木版年画元素在中国当代油画运用中产生的意义。主要通过对中国当代油画本土化发展趋向的研究，得出传统木版年画元素在中国当代油画创作中合理运用的可行性，以及对中国木版年画元素的借鉴在中国当代油画发展中起到的重要积极作用。从而引出最终对我国的木版年画艺术乃至对整个民间美术的传承、保护和发扬，将中国传统木版年画元素与中国当代油画相融合，以此来更好的促进中国当代油画民族化的发展。
[Abstract]:Woodcut New year painting is one of the important components of Chinese traditional folk art, and it is also a universal traditional folk art form. The unique artistic language style of woodcut New year painting also makes it become the precious wealth of Chinese traditional folk culture. The elements of traditional woodblock New year paintings embody the aesthetic pursuit of Chinese traditional aesthetics, and influence Chinese oil painting creation imperceptibly. At the same time, the elements of traditional woodblock New year paintings have also attracted many Chinese contemporary oil painters. These oil painters have also applied the elements of woodblock New year paintings to their oil paintings, such as oil painters Liu Dahong and Li Tianyuan. Gu Liming and so on to the Chinese traditional woodblock new year painting element has carried on the different degree of reference. From these oil paintings of contemporary Chinese oil painters that draw lessons from the elements of traditional woodblock New year paintings, we can see that the perfect integration of western painting skills and the connotation of Chinese native culture is for Chinese use. Thus for the continuous development and localization of Chinese contemporary oil painting, a new train of thought has been added. This paper first introduces the outline of woodblock New year painting, and clarifies the characteristics of the elements, such as modeling, composition style, color style and subject matter one by one. Then it describes the color style, modeling, composition style and theme characteristics of the elements of the woodblock New year painting in the Chinese contemporary oil painting in the application of the specific performance of the four elements of the color style, modeling, composition style and theme characteristics of the four elements. In the third chapter of the article, it introduces four contemporary Chinese oil painters, Gu Ling, Liu Dahong, Li Kaiyuan and Liu Tiefei, who have used them for reference in their oil painting creation in different aspects of the elements of the woodblock New year painting. This provides an example for the elaboration in the second chapter. Finally, this paper combs to clarify the significance of woodcut New year painting elements in the application of Chinese contemporary oil painting. Through the research on the development trend of localization of Chinese contemporary oil painting, the feasibility of rational application of traditional woodblock New year painting elements in Chinese contemporary oil painting creation is obtained. And the reference to the elements of Chinese woodcut New year painting plays an important positive role in the development of Chinese contemporary oil painting. This leads to the ultimate inheritance, protection and development of the woodcut New year painting art of our country and even the whole folk art, and the fusion of the elements of Chinese traditional woodblock New year painting and Chinese contemporary oil painting. In order to better promote the development of Chinese contemporary oil painting nationalization.
【学位授予单位】：江苏师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

【参考文献】