从《素衣识闻香》谈工笔画中主体人物与背景表达

发布时间：2019-03-27 18:47

【摘要】：传统工笔画主体人物与背景的关系表达,主要为自然环境和“留白”两种方式。到了近现代,西方绘画由于发展历史,文化背景和审美观与中国绘画不同,中国绘画受到西方绘画的影响,工笔画既要继承成传统,又要吸收外来文化。这样的转变使得工笔画主体人物与背景关系有了新的创作表现空间,呈现出多样性。由于文化全球性的影响,当今的工笔画为了更好地表现时代需求。在主体人物与背景关系的问题处理上,更多的是加强画面的表达,背景处理的更加丰富和多样化。本文主要关注当代工笔画主体人物与背景关系的研究,对传统工笔画主体人物与背景关系与当代的个案进行比较、分析,将其置于工笔画主体人物与背景关系这一语境之中并结合自己的创作进行分析,以期在研究理论的同时进一步提升绘画能力。
[Abstract]:The relationship between the main characters and the background of traditional fine strokes is mainly expressed in two ways: natural environment and "leaving white space". In modern times, Western painting is different from Chinese painting because of its development history, cultural background and aesthetic outlook. Chinese painting is influenced by western painting, and fine brushwork should not only inherit the tradition but also absorb foreign culture. Such a change makes the relationship between the main characters and the background of fine strokes have a new creative expression space, showing diversity. Due to the global impact of culture, today's meticulous painting in order to better represent the needs of the times. In dealing with the problem of the relationship between the subject and the background, it is more important to strengthen the expression of the picture, and to deal with the background more abundant and diversified. This paper focuses on the study of the relationship between the main characters and the background of the contemporary meticulous painting, and makes a comparison and analysis of the relationship between the main character and the background of the traditional meticulous painting and the contemporary case. It is put in the context of the relationship between the main character and the background of fine strokes and analyzed in combination with his own creation in order to further improve the painting ability while studying the theory at the same time.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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