论科尔沁版画创作的地域特征

发布时间：2019-03-27 12:34

【摘要】：本文主要以科尔沁版画作为研究对象,科尔沁版画是在我国内蒙古科尔沁地区形成的一个版画流派,它不仅是我国少数民族版画艺术中的重要组成部分,同时也是体现科尔沁地域自然风情以及风俗文化的一个重要文化艺术表现形式。对科尔沁版画的定义为:“科尔沁版画是1999年内蒙古通辽市撤盟建市后‘哲里木版画’发展转变而来的”。主要是通辽市辐射范围内,以科尔沁区、奈曼旗、扎鲁特旗等地区为代表,其艺术特色非常鲜明,因雄浑大气、高雅纯朴的风格在美术界享有“科尔沁草原雄风”的美誉。科尔沁版画家在取材时倾向于蒙古族人民的生产和生活,艺术作品焕发出浓郁的地域特色和民族特色。通过研究,本文第一章绪论阐述选题原由,研究现状、主要内容等。第二章对科尔沁版画的源起、阶段发展状况以及其历史发展脉络进行详述。论文第三章讲述科尔沁版画的艺术风格、地域特色及民族特色,其独特的地域文化特征为生活在草原上的艺术家具有独特艺术审美和艺术价值奠定基础。在文章的第四部分,探讨研究了学院版画、湛江版画、北大荒版画和云南版画与科尔沁版画的流派对比,着重从几位具有代表性的科尔沁版画艺术家的作品为切入点,针对作品中所表现的主题内容进行剖析,从而突出其中蕴藏的艺术特征以及美学价值,最后到一些地域特色的展现。本文最后一章,对科尔沁当代版画发展所处的现状以及目前面临的一些问题进行了探讨和研究。通过本文最终的研究结果发现:科尔沁版画在几十年的发展过程中已经形成了自己的地域风格特征,在版画的创作中,艺术家们通过拓展各种创作技法和创新理念来丰富科尔沁版画的艺术语言。与其他版画流派相比,科尔沁版画的艺术特征更加凸显。在未来的发展中,需要立足于自身的地域文化特色,再结合现当代版画创作技法的多样性发展特点,促进科尔沁版画地域创作的发展及进步。
[Abstract]:This paper mainly takes Horqin printmaking as the research object. Horqin printmaking is a printmaking school formed in Horqin region of Inner Mongolia in China. It is not only an important part of our national minority printmaking art, but also an important part of our national minority printmaking art. At the same time, it is also an important form of cultural and artistic expression which reflects the natural customs and customs of Horqin region. The definition of Horqin printmaking is: "Horqin printmaking came from the development of" Zhelimu engraving "after Tongliao City, Inner Mongolia, was founded in 1999. Mainly within the radiation range of Tongliao City, represented by Kerqin District, Naiman Banner, Zalut Banner and other areas, its artistic characteristics are very distinct. Because of its vigorous atmosphere, elegant and simple style enjoys the reputation of "Horqin Prairie style" in the art world. Horqin prints tend to the production and life of the Mongolian people, and their artistic works show rich regional and national characteristics. Through the research, the first chapter of this paper describes the reasons for the topic, the current situation of the research, the main content and so on. The second chapter details the origin, stage development and historical development of Horqin printmaking. The third chapter describes the artistic style, regional characteristics and national characteristics of Horqin printmaking. Its unique regional cultural characteristics lay a foundation for artists living on the prairie to have unique artistic aesthetic and artistic value. In the fourth part of the article, the school printmaking, Zhanjiang printmaking, Beidahuang printmaking and Yunnan printmaking are compared with Horqin printmaking, focusing on the works of several representative Horqin printmaking artists as the starting point. In order to highlight the artistic features and aesthetic values in the works, the theme contents of the works are analyzed, and finally some regional characteristics are displayed. In the last chapter, the present situation and some problems of Horqin's contemporary printmaking are discussed and studied. Through the final research results of this paper, it is found that Horqin printmaking has formed its own regional style characteristics in the development of several decades, and in the creation of printmaking, Artists enrich Horqin's artistic language by expanding creative techniques and innovative ideas. Compared with other printmaking schools, Horqin's artistic features are more prominent. In the future development, it is necessary to promote the development and progress of Horqin printmaking regional creation based on its own regional cultural characteristics, combined with the diverse development characteristics of modern and contemporary printmaking techniques.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217

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