论中国当代绘画作品中的“卡通风格”
发布时间：2019-03-29 08:59
【摘要】：卡通之所以在中国得到快速的发展,得到了社会的认可,完全取决于其自身的特点。它的出现深受年青一代的喜爱,随着时间的洗礼卡通逐渐变成了一种当代文化。每个不同的国家不同的文化都有着标志着自己形象的卡通符号,比如美国的加菲猫,超人,唐老鸭与米老鼠,蝙蝠侠。日本的阿童木,机器猫还有蜡笔小新。中国的哪吒,孙悟空等等。它们以各自的魅力征服了年轻一代人的心。 卡通绘画的迅速成长离不开它独特的文化魅力,它的叙事和表现方式具有很强的可读性,没有过多复杂的东西,而且它们的形象恰好满足了当代大众文化的审美。虽然里面的形象和场景大多是超越现实,幻想或凭空编造出来的,但恰是这一特征迎合了当下年青一代追求个性,对现实生活总是充满幻想,不愿接受任何的束缚的特点。 卡通与其它艺术相比最大的不同在于它没有任何的束缚,它不分阶层,不分贫富得到了大众的认可。不同的卡通作品可以让我们从中体会到不同的文化,它的出现让年青一代变得更自信,生活变得更多彩。卡通的力量是我们没有办法估计的,卡通作为一个媒介影响的不仅是我们的生活,甚至包括对人本质的判断,善于恶,美与丑,这都是人赖以生存的本质!
[Abstract]:The rapid development of cartoons in China, the recognition of the society, depends entirely on its own characteristics. Its appearance is deeply loved by the younger generation, over time baptism cartoon gradually became a kind of contemporary culture. Different cultures in each country have cartoon symbols that mark their own image, such as America's Garfield, Superman, Donald Duck and Mickey Mouse, Batman. Japanese boy, robot cat and crayon Xiaoxin. China's Nezha, Sun Wukong and so on. They subjugated the hearts of the younger generation with their own charisma. The rapid growth of cartoon painting can not be separated from its unique cultural charm, its narrative and expression methods have a strong readability, there is no too many complex things, and their images just meet the aesthetic of contemporary popular culture. Although most of the images and scenes in it are beyond reality, fantasies or fabricated out of thin air, it is precisely this feature that caters to the younger generation's pursuit of individuality and is always full of fantasies about real life and unwilling to accept any restraints. The biggest difference between cartoon and other art is that it has no bondage, no class, no distinction between rich and poor, has been recognized by the public. Different cartoons can give us a sense of different cultures, and their emergence makes the younger generation more confident and more colorful. Cartoon power is we can not estimate, cartoon as a medium to affect not only our life, including the nature of judgment, good at evil, beauty and ugliness, this is the essence of human survival!
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
本文编号：2449366
[Abstract]:The rapid development of cartoons in China, the recognition of the society, depends entirely on its own characteristics. Its appearance is deeply loved by the younger generation, over time baptism cartoon gradually became a kind of contemporary culture. Different cultures in each country have cartoon symbols that mark their own image, such as America's Garfield, Superman, Donald Duck and Mickey Mouse, Batman. Japanese boy, robot cat and crayon Xiaoxin. China's Nezha, Sun Wukong and so on. They subjugated the hearts of the younger generation with their own charisma. The rapid growth of cartoon painting can not be separated from its unique cultural charm, its narrative and expression methods have a strong readability, there is no too many complex things, and their images just meet the aesthetic of contemporary popular culture. Although most of the images and scenes in it are beyond reality, fantasies or fabricated out of thin air, it is precisely this feature that caters to the younger generation's pursuit of individuality and is always full of fantasies about real life and unwilling to accept any restraints. The biggest difference between cartoon and other art is that it has no bondage, no class, no distinction between rich and poor, has been recognized by the public. Different cartoons can give us a sense of different cultures, and their emergence makes the younger generation more confident and more colorful. Cartoon power is we can not estimate, cartoon as a medium to affect not only our life, including the nature of judgment, good at evil, beauty and ugliness, this is the essence of human survival!
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
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相关期刊论文 前3条
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