明代万历教化木刻版画插图研究
发布时间：2019-03-29 11:15
【摘要】：在中国古代版画发展史上,明代是一个鼎盛时期,而万历年间是明代版画发展的重要时期。这一时期的木刻版画,无论在数量上还是质量上均有显著的成就,具有很高的艺术价值和历史价值。 本文首先分析明代万历木刻版画发展的社会背景。从明初朱元璋建国起,明代政府的政策便有利于当时刻书业的发展,市井文化的兴盛又推动了明代万历书籍刊印数量与范围的拓展。明万历时期,以戏曲、小说版画数量最多,这个时期的教化版画与之前或之后的时代相比,无论从数量上还是质量上都是值得引起研究者的关注。 然后,本文对明代万历教化木刻版画插图的内容进行了梳理,将其内容分为“三纲五常”、“儒家学说”、“蒙学读本”、“历史内容题材”等四大类。其书籍插图刊本大部分是女范教材和幼童读物。 最后,本文就明代万历教化木刻版画插图的艺术风格进行了探讨。重点分析了书籍插图形式、教化人物姿态造型特征、教化人物服饰造型特征以及教化木刻版画的镂刻工艺特点等方面。明确了插图的定义及插图在书籍中所扮演的角色,分析了明代万历教化木刻版画插图的版式类型,有上图下文式插图、上文下图式插图、上下两幅式插图、左文右图式插图、整版式插图、双面连式插图等六种插图版式。而镂刻工艺特点又有大刀阔斧与工整细致两种截然不同的风格。 明代万历教化木刻版画插图水平高,雕刻精美,反映出了当时刻工的水准。插图版式多,插图造型达到巅峰。本文探讨明代万历教化木刻版画插图的内容、艺术风格,力图分析其艺术价值和意义,进而丰富中国古代版画图像的研究内容和视点,为后来的研究者提供更为丰富、系统的研究资料。
[Abstract]:In the development history of Chinese ancient printmaking, the Ming Dynasty is a prosperous period, and the Wanli period is an important period of the Ming Dynasty printmaking development. Woodcut prints in this period, both in quantity and quality, have a high value of art and history. First of all, this paper analyzes the social background of the development of Wanli woodcut in Ming Dynasty. Since the founding of Zhu Yuanzhang in the early Ming Dynasty, the policy of the Ming government has been conducive to the development of the book industry at all times. The prosperity of the city culture has also promoted the expansion of the number and scope of the publication and printing of the Wanli books in the Ming Dynasty. In the Wanli period of Ming Dynasty, the number of traditional opera and novel printmaking is the largest. Compared with the times before or after the Ming Dynasty, the educated printmaking in this period deserves the attention of researchers both in quantity and in quality. Then, this paper combs the contents of the illustrations of the woodcut prints taught by the Wanli in the Ming Dynasty, and divides its contents into four categories: "three principles and five permanent principles", "Confucianism", "Mongolian reading book", "historical content subject matter" and so on. Most of its books, illustrated and published, are women's norm textbooks and young children's books. Finally, this paper discusses the artistic style of wood engraving illustrations taught by Wanli in Ming Dynasty. The paper mainly analyzes the form of book illustration, the character of character pose modeling, the character of dress modeling and the engraving process of educated woodcut and so on. This paper clarifies the definition of illustration and the role of illustration in books, analyzes the typography types of the woodcut illustrations taught by the Wanli in the Ming Dynasty, including the upper and lower text illustrations, the upper and lower schema illustrations, the upper and lower type illustrations, the left and right schema illustrations, and so on. Full-layout illustration, double-sided illustration and other six types of illustration layout. And the engraving process features two very different styles: bold and neat and meticulous. In Ming Dynasty, Wanli taught wood engraving illustrations with high level and exquisite engraving, reflecting the standard of engraving at that time. Illustration typography, illustration modeling to the peak. This paper discusses the content and artistic style of the woodcut engraving illustrations taught by the Wanli in the Ming Dynasty, tries to analyze its artistic value and significance, and then enriches the research contents and viewpoints of the ancient Chinese printmaking images, and provides more abundant for the later researchers. Systematic research materials.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J217
本文编号：2449480
[Abstract]:In the development history of Chinese ancient printmaking, the Ming Dynasty is a prosperous period, and the Wanli period is an important period of the Ming Dynasty printmaking development. Woodcut prints in this period, both in quantity and quality, have a high value of art and history. First of all, this paper analyzes the social background of the development of Wanli woodcut in Ming Dynasty. Since the founding of Zhu Yuanzhang in the early Ming Dynasty, the policy of the Ming government has been conducive to the development of the book industry at all times. The prosperity of the city culture has also promoted the expansion of the number and scope of the publication and printing of the Wanli books in the Ming Dynasty. In the Wanli period of Ming Dynasty, the number of traditional opera and novel printmaking is the largest. Compared with the times before or after the Ming Dynasty, the educated printmaking in this period deserves the attention of researchers both in quantity and in quality. Then, this paper combs the contents of the illustrations of the woodcut prints taught by the Wanli in the Ming Dynasty, and divides its contents into four categories: "three principles and five permanent principles", "Confucianism", "Mongolian reading book", "historical content subject matter" and so on. Most of its books, illustrated and published, are women's norm textbooks and young children's books. Finally, this paper discusses the artistic style of wood engraving illustrations taught by Wanli in Ming Dynasty. The paper mainly analyzes the form of book illustration, the character of character pose modeling, the character of dress modeling and the engraving process of educated woodcut and so on. This paper clarifies the definition of illustration and the role of illustration in books, analyzes the typography types of the woodcut illustrations taught by the Wanli in the Ming Dynasty, including the upper and lower text illustrations, the upper and lower schema illustrations, the upper and lower type illustrations, the left and right schema illustrations, and so on. Full-layout illustration, double-sided illustration and other six types of illustration layout. And the engraving process features two very different styles: bold and neat and meticulous. In Ming Dynasty, Wanli taught wood engraving illustrations with high level and exquisite engraving, reflecting the standard of engraving at that time. Illustration typography, illustration modeling to the peak. This paper discusses the content and artistic style of the woodcut engraving illustrations taught by the Wanli in the Ming Dynasty, tries to analyze its artistic value and significance, and then enriches the research contents and viewpoints of the ancient Chinese printmaking images, and provides more abundant for the later researchers. Systematic research materials.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J217
【参考文献】
相关期刊论文 前2条
1 赵达雄;;中国古籍插图研究(下)[J];图书馆杂志;2000年04期
2 章宏伟;;明代木刻书籍版画艺术[J];郑州轻工业学院学报(社会科学版);2012年06期
，本文编号：2449480
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