宁夏回族民歌特色音调的解析和研究

发布时间：2018-01-19 08:44

本文关键词： 宁夏回族民歌旋律分类内在关系　出处：《中国音乐》2014年01期 　论文类型：期刊论文

【摘要】：笔者根据多年在宁夏及整个西北地区进行田野工作所得到的第一手资料,参考《中国民歌集成(宁夏分卷)》、《宁夏花儿精萃》、《宁夏宗教音乐》等文献,在案头工作中采用旋律分类法进行归类和解析后,认为宁夏回族民歌在音调上显然可以分为既有区别,又有联系的两个较大的类别。一是"羽核心级进音调"类,二是"徵核心双四度框架"类,前者是宁夏回族民歌具有代表性的音调,而后者在整个西北地区很有代表性。本文对这两类音调做了详细的分析,指出了这两个不同类型之间的内在联系。本文还分析了两大类型的音调之外的其他类型的曲调,如"宫核心二度框架音调",推测了其来源。
[Abstract]:According to the firsthand data obtained from the field work in Ningxia and the whole northwest of Ningxia for many years, the author refers to the documents such as the Integration of Chinese Folk songs (Ningxia Scroll), the Fine extraction of Flower in Ningxia, and the religious Music of Ningxia. After classified and analyzed by melodic classification in the desk work, it is concluded that the Hui folk songs in Ningxia can obviously be divided into the existing differences in tone. There are also two larger categories. One is the "feather core progressive tone" category; the other is the "double core four degree frame" category. The former is the representative tone of Ningxia Hui folk songs. The latter is representative of the whole Northwest China. This paper makes a detailed analysis of the two types of tones. The internal relationship between these two different types is pointed out, and the origin of the tunes other than the two major types of tones, such as "the second frame tone of the palace core", is also analyzed in this paper.
【作者单位】：中国音乐学院;宁夏文化馆;
【分类号】：J607
【正文快照】： 回族是我国少数民族中人口较多,分布最广的一个民族。历史上,回族由于征战、经商、逃难、迁徙等原因分散于全国各地。回族在以“小集中”的形式被隔绝于不同地理空间和文化环境中,面对外在文化极强的撞击和渗透,形成了本民族文化的一体化和区域特征的多元化。地域上的多元化和

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