中国手风琴音乐艺术发展史研究

发布时间：2018-01-19 08:53

本文关键词： 中国手风琴艺术音乐创作历史发展自由低音手风琴　出处：《中央音乐学院》2003年博士论文　论文类型：学位论文

【摘要】： 中国手风琴是中国音乐接受西方音乐文化影响的领域之一。近百年来，手风琴在中国扎根并逐渐普及，对我国大众音乐生活产生了重要影响。20世纪初，手风琴传入中国。早期它仅作为一件伴奏乐器，主要用于口琴乐队和声乐伴奏中。新中国成立后，随着中国手风琴民族制造工业的建设与发展，手风琴在演奏、教学、理论研究与音乐创作等方面都取得了显著进展。尤其是80年代自由低音手风琴的传入，为手风琴演奏与音乐创作的发展提供了重要的物质基础，为中国手风琴艺术创造了更为广阔的发展空间。本文以国际手风琴音乐发展和中国近现代社会历史发展作为背景，分别从历史发展与音乐创作两方面对中国手风琴艺术的发展脉络进行了系统的梳理与研究，力求再现中国手风琴艺术发展的全貌，反映中国手风琴艺术的历史发展特征。全文共分为五章。第一章是对“手风琴历史源流”的介绍；第二章是“中国最初的手风琴艺术传播”，本人挖掘出大量的相关史料，从“早期的中国手风琴教科书、上海、哈尔滨和延安的手风琴活动”四个方面进行了研究，真实地再现了1949年以前的中国手风琴艺术发展；第三章是“新中国成立以来的手风琴艺术发展”，，分别从“乐器制造、手风琴教育、表演、理论研究与中外交流”五个方面按时间顺序进行了论述，全面反映了手风琴艺术在新中国成立后50余年所取得的丰硕成果；第四章是“中国手风琴音乐创作的发展”，论文将手风琴音乐创作分为四个时期进行了历史的回顾，并对创作中的民族化追求以及手风琴演奏技巧在创作中的运用作了具体分析。第五章是全文的结论，对中国手风琴艺术发展特征做出了历史性的总结与思考。作为一件大众化乐器，中国手风琴艺术经历了从伴奏逐渐走向独奏、重奏等多种表现形式、以及由改编走向独立创作的发展历程。手风琴在中国是一件有着广阔发展空间的乐器，因而还需要我们正确认识和对待发展中存在的问题。
[Abstract]:Chinese accordion is one of the fields in which Chinese music receives the influence of western music culture. In the last hundred years, accordion has taken root and gradually popularized in China, which has had an important influence on the life of Chinese mass music at the beginning of the 20th century. Accordion was introduced into China. In the early period, it was only used as an accompaniment instrument, mainly used in harmonica band and vocal accompaniment. After the founding of New China, with the construction and development of Chinese accordion national manufacturing industry, accordion was playing. Significant progress has been made in teaching, theoretical research and music creation, especially the introduction of the free bass accordion in 80s, which provides an important material basis for the development of accordion performance and music creation. For the Chinese accordion art to create a broader space for development. This article takes the international accordion music development and the Chinese modern society history development as the background. Respectively from the historical development and music creation of the Chinese accordion art development of the development of a systematic combing and research, and strive to reproduce the development of Chinese accordion art. Reflects the historical development characteristics of Chinese accordion art. The first chapter introduces the history of accordion. The second chapter is "China's original accordion art dissemination", I excavated a large number of related historical materials, from the "early Chinese accordion textbook, Shanghai." Four aspects of accordion activities in Harbin and Yan'an are studied, which truly reproduce the development of Chinese accordion art before 1949. The third chapter is "the development of accordion art since the founding of New China", respectively from "Musical instrument manufacture, accordion education, performance, theoretical research and communication between China and foreign countries" in five aspects according to the time order. Reflects the accordion art in the new China more than 50 years after the establishment of fruitful results; Chapter 4th is "the development of Chinese accordion music creation", the paper divided accordion music creation into four periods for historical review. And the pursuit of nationalization in the creation and accordion playing skills in the application of the specific analysis. Chapter 5th is the conclusion of the full text. As a popular instrument, Chinese accordion art has experienced a variety of manifestations from accompaniment to soloist and recital. The accordion is a musical instrument with wide developing space in China, so we still need to correctly understand and deal with the problems existing in the development.
【学位授予单位】：中央音乐学院
【学位级别】：博士
【学位授予年份】：2003
【分类号】：J624.3

【引证文献】