关于中国歌剧中音乐形象塑造的几个问题

发布时间：2018-01-19 09:33

本文关键词： 中国歌剧音乐形象歌剧音乐的戏剧性功能二度创作　出处：《山东师范大学》2001年硕士论文　论文类型：学位论文

【摘要】： 歌剧作为一种综合性的艺术门类，是以音乐作为其主要表现手段的，这也是它与其他姊妹艺术最根本的区别。音乐在歌剧中具有揭示人物性格、推进戏剧冲突、抒发人物情感、烘托戏剧气氛等重要功能，它正是通过各种音乐手段、音乐形式的运用，而完成其最终使命——音乐形象的塑造。本文以几部不同时期具有代表性的中国歌剧为例，通过引言、歌剧唱腔在音乐形象塑造中的作用、歌剧的器乐部分在音乐形象塑造中的作用、歌剧演员的二度创作与音乐形象的塑造和结语五个部分，分别从一度和二度创作的角度，就歌剧音乐形象塑造的几个问题进行了论述。在歌剧中，，歌唱是参与形象塑造的主要表现手段，剧中人物唱腔的营造是音乐形象塑造的关键。主题，作为人物个性化唱腔的凝炼、概括和浓缩，它不仅为人物性格和形象发展设立了基本的框架，同时也为音乐形象的进一步展开提供了最根本的依据。歌剧唱腔通过对戏剧发展不同阶段人物性格的不断揭示，尤其是对戏剧冲突中人物内心的多视角描绘，最终完成音乐形象的全方位塑造。另外，器乐作为歌剧音乐整体中不可分割的一部分，在音乐形象塑造中的作用同样不容忽视。从二度创作的角度，歌剧演员作为形象的物质承担者和直接体现者，在音乐形象塑造中占有独特的地位。他（她）既要准确地把握原创，又以其自身的艺术素养、声音的表现力、歌唱与表演风格往往赋予角色形象以新的内容。本文主要以歌剧《白毛女》、《江姐》和《原野》为主线从多层面展开分析，在综合多种观点的基础上阐述自己的认识与见解，既指出每部作品的成功与不足，又说明后者对前者的继承与发展，从而透视出中国歌剧音乐创作的发展历程。
[Abstract]:As a comprehensive art category, opera is mainly represented by music. This is the most fundamental difference between it and other sister arts. Music in opera has Reveal character, promote drama conflict, express character emotion, contrast drama atmosphere, etc. To function, it is through a variety of musical means, the use of musical forms, and the completion of its most The final Mission-the creation of Music Image. Chinese opera as an example, through the introduction, the role of opera singing in the creation of musical image, opera The role of instrumental music in the shaping of musical image, the second creation of opera actors and music The creation of image and the conclusion of five parts, respectively from the point of view of once and second creation, on the song Several problems in shaping the musical image of the play are discussed. In opera, singing is the main means of expression to participate in the shaping of the image, and the characters in the play sing The creation of music image is the key to the creation of musical image. The theme, as the condensing of personalization, It not only provides a basic framework for the development of character and image, but also provides a basic framework for the development of character and image. It also provides the most fundamental basis for the further development of the musical image. An unceasing revelation of the character of characters in different stages of drama development, especially in the conflict of drama. The multi-angle depiction of the object's heart finally completes the overall shaping of the musical image. In addition, the instrument Music as an integral part of the whole of opera music. From the angle of second creation, opera actor is the material bearing of image. The bearer and the direct embodiment occupy a unique position in the shaping of the musical image. He (she) We should not only grasp the originality accurately, but also with their own artistic accomplishment, voice expression, song The style of singing and acting often gives new content to the character image. This article mainly takes the opera "White-haired Girl", "Jiang Jie" and "the Field" as the main line. On the basis of synthesizing a variety of viewpoints, to expound one's own understanding and opinions, It not only points out the success and deficiency of each work, but also explains the inheritance and development of the former by the latter. In order to perspective the development of Chinese opera music creation process.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2001
【分类号】：J617.2

【引证文献】