地方性审美经验中的认同危机——以广西那坡县黑衣壮民歌在南宁国际民歌艺术节上的呈现为例

发布时间：2018-02-14 12:12

本文关键词： 黑衣壮南宁国际民歌艺术节审美经验那坡县少数民族艺术少数民族文化全球化语境地方性认同危机族群　出处：《文艺研究》2010年09期 　论文类型：期刊论文

【摘要】：本文以广西那坡县境内黑衣壮山歌为个案,考察其从2000年被"发现",到2001、2002年在南宁国际民歌艺术节上的呈现,以及2004年在南宁国际民歌艺术节期间的"东南亚时装秀"的表演,分析少数民族民歌在全球化条件下呈现的"审美经验被撕裂"的现象,从而论证"地方性审美经验"与少数民族艺术的内在联系及当代特征。本文的基本结论是:(1)"地方性审美经验"与少数民族艺术的基础在全球化的冲击下呈现出"分裂"的状态,这是一种深度的创伤,也是一种文化的表达和意义的重组过程,在这个过程中一些习俗被改变,产生出新的文化意义。(2)在这个过程中,资本的力量被想象性地夸大。事实上,少数民族艺术的真实价值才是文化发展和文化产业的资源。(3)当少数民族文化的价值与使用价值严重分裂时,审美经验的被撕裂对少数民族本体的文化认同造成某种危机,导致社会生活层面的伤害。因此,对作为文化遗产的少数民族艺术的商业性开发应以当地族群审美经验的完整性为前提。
[Abstract]:This paper takes the black clothes Zhuang folk song in Napo County, Guangxi as an example, and examines its presentation at Nanning International Folk Song Festival from 2000 to 2002, and the "Southeast Asia Fashion Show" during the Nanning International Folk Song Art Festival on 2004. This paper analyzes the phenomenon that the aesthetic experience of minority folk songs is torn apart under the condition of globalization. The basic conclusion of this paper is that the "local aesthetic experience" and the foundation of ethnic minority art show a "split" state under the impact of globalization. This is a deep trauma, a process of cultural expression and a recombination of meaning, in which some customs are changed to produce a new cultural meaning.) in the process, the power of capital is imaginatively exaggerated. In fact, The real value of minority art is the resource of cultural development and cultural industry.) when the value and use value of minority culture are divided seriously, the tear of aesthetic experience causes some crisis to the cultural identity of the minority nationality. Therefore, the commercial exploitation of minority arts as a cultural heritage should be based on the integrity of the aesthetic experience of the local ethnic groups.
【作者单位】：上海交通大学人文学院;南京大学文学院;
【基金】：江苏省社科规划重点项目“中国马克思主义文艺理论的问题与理论”(编号:06JSAZW001)阶段性研究成果
【分类号】：J607

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