蒙汉文明的碰撞与交融——论草原民歌蒙汉调

发布时间：2018-03-07 15:29

本文选题：碰撞　切入点：交融　出处：《内蒙古师范大学》2004年硕士论文　论文类型：学位论文

【摘要】：蒙汉调是产生并流行于内蒙古自治区西部鄂尔多斯一带的一个地方歌种，是蒙汉人民在长期的共同生产、共同生活中，两种文明发生碰撞交融而产生的，为两民族共享的，兼具两民族文化特色的民歌形式。蒙汉调这一称谓是对歌种最准确、最精炼的概括总结。在内蒙古鄂尔多斯地区，蒙汉文明的碰撞、交融同其他任何地区、任何形式的文化现象一样，都是与所处历史时期的政治、经济背景密切相关。蒙古民族具有优良的文化传统，是“社会生活音乐化程度最高的一个民族”，在晋西北、陕北与内蒙古的鄂尔多斯地区，蒙汉文明年复一年地通过“走西口”得以沟通，继而产生了独具特色的“走西口”文化。蒙古族的民歌数量众多，品位高雅，蒙古族人民更是具有特殊的音乐爱好和将音乐活动与生产生活紧密结合的传统习俗。与内蒙古南部毗邻的秦晋地区自古人杰地灵，文化传统源远流长，以信天游、山曲为代表的民歌形式更是独具特色。蒙汉调即是这两种不同音乐文化碰撞与交融的产物的。 “风搅雪”是蒙汉调最根本的艺术特征，原是当地人民对蒙汉调演唱过程中蒙汉语结合使用、蒙汉语交加这一演唱形式的比喻性称谓。蒙汉调的音乐部分基本保持了鄂尔多斯蒙古族短调民歌(包古尼道)的原貌，蒙汉调的歌词主要依照流行于山西、陕西的信天游与山曲的格律即兴创作。蒙汉调的艺术特征是通过结合蒙汉两个民族的音乐风格而存在，它不是一种简单的堆砌与叠加，而是巧妙的以共性为纽带融合了蒙汉两个民族音乐的个性，，蒙汉调深厚的民间基础保证了其长久的生命力。内蒙古鄂尔多斯地区的群众都将蒙汉调演唱视作其中必不可少的一个部分，蒙汉人民从多方面将蒙汉调融入其日常生活。但从整体趋势分析，仍要加强对其的保护。
[Abstract]:The Mongolian and Han tune is a local song species produced and popular in the Ordos area of the western part of Inner Mongolia Autonomous region. It is produced by the collision and blending of the two civilizations in the long-term joint production and common life of the Mongolian and Han peoples, and shared by the two nationalities. A form of folk song with the cultural characteristics of the two nationalities. The title of the Mongolian and Han tune is the most accurate and concise summary of the songs. In the Ordos region of Inner Mongolia, the collision of Mongolian and Han civilizations blends with any other region. Like any form of cultural phenomenon, it is closely related to the political and economic background of the historical period. The Mongolian nation has a fine cultural tradition and is "a nation with the highest degree of musicalization in social life." In northern Shaanxi and Ordos region of Inner Mongolia, the Mongolian and Han civilization communicated year after year through "walking the west mouth", and then produced the unique culture of "walking the west mouth". The Mongolian folk songs are numerous and elegant, and the Mongolian people have a special musical hobby and a traditional custom of closely combining music activities with production and life. The Qin Jin region adjacent to the south of Inner Mongolia has been outstanding since ancient times. The cultural tradition has a long history, and the folk songs represented by Xintian Tour and Shan qu are unique. The Mongolian and Han tune is the product of the collision and blending of these two different musical cultures. "Wind stirring snow" is the most fundamental artistic feature of Mongolian and Han tune. It was originally used by the local people in the process of singing Mongolian and Chinese tunes. The music part of the Mongolian and Han tune basically kept the original appearance of the Mongolian folk song (Baogunidao) in Ordos, and the lyrics of the Mongolian tune were mainly based on the popular in Shanxi. The artistic characteristics of Mongolian and Han tune exist through the combination of the music style of the two peoples, it is not a simple stack and superposition, but ingenious in the common. The tie combines the individuality of Mongolian and Han folk music, The deep folk foundation of the Mongolian and Han dynasties ensures its long-term vitality. Erdos, Inner Mongolia. The people of the region regard the Mongolian and Han singing as an indispensable part of it, the Mongolian and the Han people. It is necessary to integrate Mongolian and Han tune into their daily life in many ways. However, from the overall trend analysis, we still need to strengthen the. Its protection
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J607

【引证文献】