我国汉族民间音乐现状的三种模式及其社会心理背景分析

发布时间：2018-03-07 19:37

本文选题：民间音乐　切入点：发展模式　出处：《华南师范大学》2003年硕士论文　论文类型：学位论文

【摘要】： 近年来，随着社会的发展，我国传统民间音乐的“民间性”逐渐蜕化，在不同环境下的生存态势与具体表现样式不尽相同。从活动地域及表现形式和内涵的变化来看，我国汉族民间音乐在民间的发展现状大致可分为：一、溶解型。逐步消亡或融入城市生活，这主要是在发达地区城镇化进程较快的农村以及已经城镇化的农村，这些地方已经很少有传统意义上的民间音乐了。二、变化型。传统的民间音乐受现代社会生活的影响，在传统的基础上变化革新。这一类型已在一定程度上偏离了传统的轨迹，缺失了原有的形式或内涵。三、保留型。继续保持，并基本上传承了原有的风貌，虽然后继乏人，但至少眼前尚可。当然，对民间音乐在农村发展的三种模式划分是相对的，，三种模式间常常“你中有我，我只有你”，要想把他们绝对划分开来是不现实的。安徽芜湖圩区的“马灯”是民间音乐在民间变化型模式的一种实例。现在“马灯”的表演形式已经与往年有了很大变化：表演程序不断简化；伴奏乐器逐渐减少；甚至突破“早些年，‘马灯’的封建色彩较浓，女性是严禁参加的，甚至连供‘灯神’的‘灯堂’都不准女性进入”的禁忌，男女同台演出。本文根据多次调查，对皖南“马灯”的流传范围、历史源流、组织结构、表演过程、音乐特点等内容作一综合叙述。民间音乐的发展受多方因素的影响。客观方面，社会的转型以及由此而引起的一系列社会变化对民间音乐的发展产生影响。主观方面，农民思想观念的变化以及大众社会心理的变迁也对民间音乐的发展有着重大的影响。我国现正处于社会转型期，社会的转型以及由此而引起的农村社会现代化、农村人际关系裂变、农民文化生活变化是影响民间音乐的发展的客观方面原因。大众社会心理的变化从个体心理的需要、模仿与舆论、社会化与继续社会化以及特殊群体等几个方面对民间音乐产生影响。
[Abstract]:In recent years, with the development of society, the "folk nature" of traditional folk music in our country has gradually degenerated, and the living situation and concrete expression style are different under different circumstances. The development of folk music of Han nationality in China can be roughly divided into: first, dissolving type. Gradually wiping out or integrating into urban life. This is mainly in the rural areas where urbanization is proceeding faster in developed areas and in the rural areas that have already been urbanized. In these places, there are few folk music in the traditional sense. Second, the changing type. The traditional folk music is influenced by the modern social life and changes and innovates on the basis of the tradition. To some extent, this type of folk music has deviated from the traditional track to a certain extent. The original form or connotation is missing. Third, the reserved type. Continue to maintain and basically inherit the original style and outlook. Although there are no successors, but at least it is still possible. Of course, the division of the three modes of folk music development in rural areas is relative. The three models are often "you, I only you", it is unrealistic to categorize them absolutely. "Horse Lantern" in Wuhu polder area of Anhui Province is an example of folk music changing pattern in folk music. Now, the performance form of "Horse Lantern" has changed greatly with previous years: the performing procedure is being simplified, the accompanying musical instrument is gradually decreasing; It even breaks through the taboo of "early years when horse lanterns are more feudal, women are strictly prohibited from participating in them, and even 'lantern halls' for 'lantern gods' are not allowed to allow women to enter." This paper gives a comprehensive description of the spread range, historical origin, organizational structure, performance process and music characteristics of Horse Lantern in Southern Anhui. The development of folk music is influenced by many factors. Objectively, the social transformation and a series of social changes caused by it have an impact on the development of folk music. The changes of farmers' ideology and social psychology also have a great influence on the development of folk music. China is now in the period of social transformation, social transformation and the resulting modernization of rural society. The fission of rural interpersonal relationship and the change of peasants' cultural life are the objective reasons that affect the development of folk music. The change of social psychology of the masses is based on the needs of individual psychology, imitation and public opinion. Socialization and continued socialization, as well as special groups, have an impact on folk music.
【学位授予单位】：华南师范大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J607

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