“曹谱”《钧天妙乐》索隐——苏南道家吹打曲牌探源之二
发布时间:2018-04-11 15:25
本文选题:笛曲曲牌 + 牌名前缀词 ; 参考:《中国音乐》2010年03期
【摘要】:本文通过对"曹谱"《钧天妙乐》卷本中笛曲曲牌的探赜索隐,尤其是对于部分曲牌牌名前缀词的考释,进而推断出该卷所收曲牌来源于元明时期的弦索官腔和昆曲"水磨调",明确指出这些曲牌至迟在明代的嘉、隆年间已进入苏南道家吹打,并将《钧》卷成编年代大致确定在十六世纪中叶或稍前,而这个时间比之曹谱《霓裳雅韵》卷本几乎早了一个世纪。
[Abstract]:In this paper, through the exploration and concealment of the flute qu card in the volume of Cao Pu's "Jun Tian Miao Le", especially the explanation of the prefix words of part of the qu card's name,Furthermore, it was inferred that the music collected in the volume originated from the chord mandarin of the Yuan and Ming dynasties and from the Kunqu Opera "Water grinding tune". It was clearly pointed out that these songs had entered the Southern Jiangsu Taoist school of play at the latest in the period of Jia and long in the Ming Dynasty.And the chronology of "Jun" was roughly determined in the middle of the sixteenth century or a little before, and this time was almost a century earlier than the volume of Cao's "Nieshang elegant rhyme".
【作者单位】: 江苏省文化艺术研究院;
【基金】:全国艺术科学“十五”规划立项课题(03GD114)《苏南十番音乐研究》的部分内容
【分类号】:J607
【共引文献】
相关博士学位论文 前1条
1 朱俊玲;昆曲在北方的流传与发展[D];中国艺术研究院;2007年
,本文编号:1736558
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