印度尼西亚克隆钟（Kroncong）音乐

发布时间：2018-04-15 00:40

本文选题：克隆钟音乐 + 印度尼西亚音乐　；参考：《中央音乐学院》2012年硕士论文

【摘要】：在浩如烟海的世界民族音乐中,印度尼西亚音乐无疑是东南亚音乐文化中独树一帜的代表,也是一个取之不竭的宝藏。在印度尼西亚传统音乐中,令全世界音乐家和研究者趋之若鹜的是甘美兰(Ganmelan)音乐,这是印尼特有的一种旋律性打击乐器合奏音乐。然而,流传最广的却是一种大众音乐---克隆钟(Kroncong)音乐。这是用西方乐器演奏的印尼风格的音乐,最受欢迎的是它的歌曲,如在许多国家流传甚广的《美丽的梭罗河》(Bengawan Solo)便是一首代表性的克隆钟歌曲。克隆钟曾经是唯一流行于印尼各岛屿、各民族之间的全国性的大众音乐,但它又不同于一般意义上的流行音乐。由于在历经几个世纪漫长的萌芽、演变和发展历程中,它已经和印尼本土音乐密不可分,甚至以一种混合了欧洲音乐元素、流行音乐元素、民间音乐和传统音乐元素的综合音乐形式流传至今。在国内,世界民族音乐研究尚处于逐渐发展壮大阶段,虽然已经有越来越多的人投入到这个学科中来,但仍然有许多未知的领域急待学习和探索。印度尼西亚音乐就是国内世界民族音乐研究的薄弱环节之一,而对于克隆钟音乐的研究更是几乎空白。对这样一个曾经在整个东南亚、日本、中国等地一度风行的多元音乐文化形式作深入的研究和调查无疑是重要的,况且,它的形成和发展历程、各种音乐元素的融合方式、在印尼长时间盛久不衰的缘由等,都是值得探讨和借鉴的。本文第一章将对克隆钟的音乐特征及溯源作全面介绍,并对其从萌芽、演变、发展到盛行的历史进程进行必要梳理,以求较为清晰、条理性的展现克隆钟的发展脉络,回答一个最为基本的问题：“克隆钟是什么?”。第二章笔者将运用音乐形态分析的方法解析克隆钟的内部结构、配器、唱法等特点,探讨其与甘美兰合奏之间的联系；另外运用语言学的研究方法分析克隆钟歌词音乐性现象。第三章则着眼于有关克隆钟现今在印尼的流传情况的调查及代表性音乐家的介绍,力求对研究对象有更全面的认知。笔者认为,除了对克隆钟做全面的了解而外,对它长久不衰的原因的分析应该注意外在历史环境的影响和内在自适应能力方面的作用。最应该注意的是克隆钟成为一种综合音乐形式流传至今的最根本原因是它对外来音乐的选择性的取舍和对传统音乐的灵活继承,这是一种根植于本土音乐的舶来形式,它的多元音乐的融合方式对于我们探讨本民族音乐的发展有着重要启示意义。
[Abstract]:In the vast world folk music, Indonesian music is undoubtedly a unique representative of Southeast Asian music culture, and also an inexhaustible treasure.Among traditional Indonesian music, musicians and researchers from all over the world are attracted by Gamelan Ganmelan, a melodic percussion ensemble that is unique to Indonesia.However, the most popular is a popular music-Kroncongor.This is Indonesian-style music played on Western instruments, and the most popular is its songs, such as Bengawan Soloan, which has been widely spread in many countries, is a typical Clone Bell song.Clone Chung was once the only popular popular popular music among different ethnic groups in Indonesia, but it was different from popular music in general.After centuries of germination, evolution and development, it has become inextricably linked to native Indonesian music, even mixing European musical elements with pop music elements.Folk music and traditional music elements of the integrated music form has been handed down.At home, the study of folk music in the world is still in the stage of gradual development and expansion. Although more and more people have been involved in this subject, there are still many unknown fields that need to be studied and explored urgently.Indonesian music is one of the weak links in the study of folk music in the world, and the study of Clone Bell music is almost blank.It is undoubtedly important to make an in-depth study and investigation of such a multi-cultural form of music once popular throughout Southeast Asia, Japan, China, and so on. Moreover, its formation and development, and the way in which all kinds of musical elements are combined,In Indonesia for a long time long-lasting reasons and so on, are worthy of discussion and reference.In the first chapter of this paper, we will introduce the music characteristics and trace the origin of Clone Bell in an all-round way, and make a necessary combing of its historical process from germination, evolution and development to the prevailing history, in order to show the development of Clone Bell clearly and methodically.Answer one of the most basic questions: "what is a cloned clock?"In the second chapter, the author analyzes the internal structure, orchestration and singing characteristics of Clone clock by using the method of music morphological analysis, and probes into the relationship between it and gamelan ensemble, and analyzes the musical phenomenon of the lyric of Clone Bell by using the method of linguistics.The third chapter focuses on the investigation of Clone Chung's current circulation in Indonesia and the introduction of representative musicians in order to have a more comprehensive understanding of the subjects of study.The author holds that apart from a comprehensive understanding of the Clone clock, the analysis of its long lasting causes should pay attention to the influence of the external historical environment and the role of the internal adaptive ability.What should be noted most is that the most fundamental reason why Clone Chung has become a comprehensive form of music is its selective choice of foreign music and its flexible inheritance of traditional music, which is an imported form rooted in native music.Its multi-music fusion is of great significance for us to explore the development of our national music.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J633.42

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