论20世纪二胡演奏艺术的发展
发布时间：2019-03-29 11:35
【摘要】：本文通过对20世纪二胡演奏艺术发展的分析研究,将20世纪的二胡音乐分成三个历史阶段进行论述,介绍了不同时期内二胡音乐的代表人物及优秀的二胡作品,总结二胡艺术发展的特征,从而引发作者对二胡艺术发展的思考和展望。 本文共四章,第一章绪论主要是介绍文献综述,研究目的、方法、难点及价值评估。第二章论述20世纪初期二胡演奏艺术的发展。主要分为三节,论述了刘天华、华彦均和其他作曲家对二胡音乐的贡献,总结这时期二胡演奏艺术发展的特征。第三章论述20世纪中期二胡演奏艺术的发展。分别从二胡音乐创作,理论分析和演奏类型方面进行系统的阐述,总结出这一时期二胡艺术发展的特征。第四章是本文的重点章节,论述了20世纪末期二胡演奏艺术的发展。这是二胡艺术的繁盛时期,从二胡音乐创作的多元化、演奏技巧形式的多样化方面进行论述,总结出这一时期二胡演奏艺术的特征,最后是对二胡音乐的思考与展望。 通过以上方面的论述,本文试从音乐史学的角度去论述二胡音乐从发生、发展到繁荣的嬗变过程,总结不同时期内二胡艺术发展的总体特征,为民族器乐的发展提供一些理论上的参考。
[Abstract]:Based on the analysis and research of the development of erhu playing art in the 20th century, this paper divides Erhu music into three historical stages, and introduces the representative characters and excellent Erhu works in different periods. This paper summarizes the characteristics of the development of erhu art, thus arousing the author's thinking and outlook on the development of erhu art. This paper consists of four chapters. The first chapter is the introduction of literature review, research purpose, methods, difficulties and value evaluation. The second chapter discusses the development of erhu playing art in the early 20th century. Mainly divided into three sections, this paper discusses the contribution of Liu Tianhua, Hua Yanjun and other composers to Erhu music, and summarizes the characteristics of Erhu performance art development during this period. The third chapter discusses the development of erhu playing art in the middle of the 20th century. The characteristics of Erhu art development in this period are summarized from the aspects of Erhu music creation, theoretical analysis and performance types. The fourth chapter is the key chapter of this paper, which discusses the development of erhu playing art at the end of the 20th century. This is the prosperous period of erhu art, from the diversification of Erhu music creation, the diversification of playing skills, summed up the characteristics of Erhu performance art in this period, and finally, the reflection and prospect of Erhu music. Through the above-mentioned discussion, this paper tries to discuss the evolution process of erhu music from the perspective of musical historiography, and summarizes the general characteristics of Erhu art development in different periods. It provides some theoretical references for the development of national instrumental music.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J632.21
本文编号：2449500
[Abstract]:Based on the analysis and research of the development of erhu playing art in the 20th century, this paper divides Erhu music into three historical stages, and introduces the representative characters and excellent Erhu works in different periods. This paper summarizes the characteristics of the development of erhu art, thus arousing the author's thinking and outlook on the development of erhu art. This paper consists of four chapters. The first chapter is the introduction of literature review, research purpose, methods, difficulties and value evaluation. The second chapter discusses the development of erhu playing art in the early 20th century. Mainly divided into three sections, this paper discusses the contribution of Liu Tianhua, Hua Yanjun and other composers to Erhu music, and summarizes the characteristics of Erhu performance art development during this period. The third chapter discusses the development of erhu playing art in the middle of the 20th century. The characteristics of Erhu art development in this period are summarized from the aspects of Erhu music creation, theoretical analysis and performance types. The fourth chapter is the key chapter of this paper, which discusses the development of erhu playing art at the end of the 20th century. This is the prosperous period of erhu art, from the diversification of Erhu music creation, the diversification of playing skills, summed up the characteristics of Erhu performance art in this period, and finally, the reflection and prospect of Erhu music. Through the above-mentioned discussion, this paper tries to discuss the evolution process of erhu music from the perspective of musical historiography, and summarizes the general characteristics of Erhu art development in different periods. It provides some theoretical references for the development of national instrumental music.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J632.21
【引证文献】
相关期刊论文 前1条
1 陈辉;张育文;;浅议二胡作品中的移植现象[J];飞天;2012年Z1期
，本文编号：2449500
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