格里格钢琴抒情小品中的民族特征与演奏探究

发布时间：2018-01-24 18:14

本文关键词： 格里格抒情小品钢琴民族特征　出处：《内蒙古师范大学》2010年硕士论文　论文类型：学位论文

【摘要】： 挪威作曲家爱德华.格里格(Edward Grieg,1843——1907)是挪威民族乐派的奠基人,同时也是十九世纪下半叶欧洲民族乐派中最有成就的作曲家之一。他致力于民族民间音乐的研究,通过对民族历史的歌颂,对祖国大自然和民间生活的艺术感受,创作出具有挪威民族特色和浓厚乡土气息的音乐。格里格自1867至1901年间陆续出版的钢琴独奏《抒情曲小品集》,以日记的形式,记载了作者三十多年中的所见、所闻及对生活的诸多感悟。格里格在其钢琴抒情小品中在旋律、和声、调式与调性等领域中做了新颖的探索与实验,充分体现了本民族音乐的创作理念,并以典型的挪威民间音乐的特性突出表现出来。本文从《格里格钢琴抒情小品集》谱例入手,通过格里格与其作品创作背景,音乐体裁与曲式结构分析,音乐创作特点的分析,演奏上的分析及格里格与其钢琴抒情小品的影响等,进行旋律、节奏、和声、调式调性的使用、风格特征、演奏技巧几个视角等方面的探索与分析,结合笔者的弹奏体会,通过分析格里格生平与其钢琴抒情小品的创作,重点了解和学习其演奏技巧,进而学习到19世纪北欧民族乐派的音乐创作风格、演奏技巧,及对二十世纪音乐的创新与贡献。全文共分三部分。第一部分,格里格钢琴抒情小品的创作背景。笔者通过分析格里格的生活背景、生平经历和民族主义思想形成和发展的过程,以及同时期作曲家和民族主义思想家对其的影响。以说明格里格作品中民族性特征的形成和特点第二部分,格里格钢琴抒情小品的音乐本体分析,重点通过剖析旋律、节奏、调式调性、和声中的民族性因素,阐释格里格钢琴抒情小品中的民族音乐创作理念和典型的挪威民族音乐特征。第三部分,格里格钢琴抒情小品中民族性特征在演奏与教学二度创作中的体现。笔者通过自己的演奏实践,结合谱例,对格里格钢琴抒情小品中的部分作品进行具体的二度创作分析。并从乐句划分、乐曲速度和力度的把握、触键与音色、踏板的运用等方面对演绎格里格钢琴抒情小品作了归纳和总结。
[Abstract]:The Norwegian composer Edward Grieger (1843-1907) was the founder of the Norwegian National Music School. In 19th century, he was one of the most successful composers of the European national music school. He devoted himself to the study of folk music, through the praise of national history. The artistic experience of nature and folk life of the motherland. From 1867 to 1901, Grieg published a piano solo, A Collection of Lyric songs, in the form of a diary. This paper records the author's views, experiences and feelings about life for more than 30 years. In his lyrical works of piano, Grieg has made novel explorations and experiments in the fields of melody, harmony, tone and tonality. Fully embodies the creative concept of this national music, and with the typical characteristics of Norwegian folk music outstanding. This article from the "Grieg piano lyric collection" spectrum examples. Through Grieg and his works creation background, music genre and composition structure analysis, music creation characteristic analysis, the performance analysis and the influence of Grieg and his piano lyric sketch and so on, carries on the melody, the rhythm, the harmony and so on. The use of tonality, style characteristics, performance skills and other aspects of exploration and analysis, combined with the author's experience in playing, through the analysis of Grieg's life and his creation of piano lyric sketch. The emphasis is on understanding and learning its playing skills, and then on learning the music creation style, playing skills of the Nordic National Music School in 19th century, and its innovation and contribution to the 20th century music. The thesis is divided into three parts. The first part is the background of Grieg's piano lyric writing. The author analyzes Grieg's life background, life experience and the process of the formation and development of nationalism thought. And the influence of composers and nationalist thinkers of the same period on it. To illustrate the formation and characteristics of the national characteristics in Gregg's works The second part, the music Noumenon analysis of Grieg piano lyric sketch, through the analysis of melody, rhythm, tone, harmony in the national factors. Explain the concept of national music creation and the typical characteristics of Norwegian folk music in Grieg's piano lyrical works. In the third part, the national characteristics of Grieg piano lyrical sketch are reflected in the second creation of playing and teaching. The second creation analysis of some works of Grieg piano lyrical sketch. And from the sentence division, music speed and strength of the grasp, touch keys and timbre. The use of pedal and other aspects of the interpretation of Grieg piano lyric sketch made a summary.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J624.1

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