西方音乐史学研究对象的三维架构

发布时间：2018-01-25 20:54

本文关键词： 研究对象音乐本体音乐文化社会历史　出处：《湖南师范大学》2010年硕士论文　论文类型：学位论文

【摘要】： 本论文运用哲学思辨和实证主义相结合的方式旨在研究西方音乐史学学科理论中的研究对象。论文首先论证了西方音乐史学的研究对象是什么,并揭示其三维架构的内在属性,通过对西方音乐史学研究对象内在属性的具体分析,提出中国西方音乐史学研究的方法。具体包括如下几个方面： 1、研究对象的确立之于一门学科的研究进行是首要的工作,它将会影响之后整个研究工作的开展。而西方音乐的各种特殊性又造成了过往其研究对象的多家之言,由此,论证西方音乐史学研究对象是什么显然是必要的。 2、西方音乐史学的研究对象不仅包括音乐本体的研究,而且辐射与音乐存有直接或间接联系的社会各要素。马克思主义理论的相互联系、经济基础决定上层建筑、艺术生产的观点是这一理论的基础。而理解肖邦的《c小调革命练习曲》必须了解包括音乐本身在内的他所生活的整个社会历史文化环境是这一理论的恰当例证。 3、西方音乐史学研究对象包括音乐本体、音乐文化、音乐社会三个维度,三个维度层层包含、有机统一,又由于其自身属性及在西方音乐史学中的运用不同而相互区别。 4、音乐本体包括和声、调性、结构、旋律、节奏、音色等,在音乐史编撰和音乐分析中起基础性作用,而将音乐本体上升为音乐史的全部则是西方形式主义美学倾向的体现。 5、音乐与哲学、宗教、文学、美术等人文学科一样都是一种文化现象,共同构成特定时代的文化语境,体现时代精神。音乐并不仅仅是音响的集合,作曲家总是通过音乐言说什么,表达什么。那么,研究音乐历史就必须了解作曲家所生活的时代文化,从而正确阐释音乐的内涵。 6、马克思主义哲学认为：物质决定意识,经济基础决定上层建筑。音乐作为一种意识形态必然决定于社会的经济、政治,其演变的根源在于社会历史的演变。音乐史的研究和音乐作品的分析只有置于广阔的社会大背景之中,才能把握其真正的内在规律。因此,西方音乐史学的研究对象是相当宽泛的,它包括音乐本体、音乐文化、社会历史三个维度。在西方音乐史的研究中,应以音乐本体为基础,既要研究音乐自身的本质规律,又要从文化学、社会学的角度出发,探求音乐的文化意义和社会意义。
[Abstract]:The purpose of this thesis is to study the subjects of western musical history by the combination of philosophical thinking and positivism. Firstly, the thesis demonstrates what the research object of western music history is. It also reveals the intrinsic properties of its three-dimensional structure, through the specific analysis of the intrinsic attributes of the research object of western music history, puts forward the methods of Chinese western music history research, including the following aspects: 1. The establishment of the research object is the most important work in the research of a discipline. It will affect the development of the whole research work. And the particularity of western music has caused many words of its research object in the past. It is obviously necessary to demonstrate what the object of western musicology is. 2. The research object of western music history includes not only the study of musical ontology, but also the interrelation between radiation and music, which has direct or indirect relation with music, and the interrelation of Marxist theory. The economic base determines the superstructure. The viewpoint of artistic production is the basis of this theory. To understand Chopin's revolutionary etudes in C minor, one must understand the entire social, historical and cultural environment in which he lives, including the music itself, is an appropriate example of this theory. . 3. The research object of western music history includes three dimensions: music ontology, music culture, music society, and three dimensions are contained layer by layer, organic unity. And because of its own attributes and the use of western music history is different from each other. Music Noumenon includes harmony, tonality, structure, melody, rhythm, timbre and so on, which plays a fundamental role in the compilation of music history and music analysis. The rise of musical ontology to the history of music is the embodiment of western formalism aesthetic tendency. 5. Music, philosophy, religion, literature, art and other humanities are all cultural phenomena, which together constitute the cultural context of a specific era and reflect the spirit of the times. Music is not just a collection of sound. It is necessary to understand the culture of the times in which the composers live in order to correctly explain the connotation of music. 6. Marxist philosophy holds that: material determines consciousness, economic basis determines superstructure. As an ideology, music is bound to be determined by social economy and politics. The root of its evolution lies in the evolution of social history, and the study of music history and the analysis of musical works can grasp its true internal law only in the broad social background. Therefore, the research object of western music history is quite broad. It includes three dimensions: music ontology, music culture and social history. In the study of western music history, it should be based on music ontology. It is necessary not only to study the essential law of music itself, but also to explore the cultural and social significance of music from the angle of culture and sociology.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J609

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