简论古典主义时期莫扎特和他的《安魂曲》

发布时间：2018-01-29 03:42

本文关键词： 莫扎特《安魂曲》古典主义　出处：《西南大学学报(社会科学版)》2011年S1期 　论文类型：期刊论文

【摘要】：从早期基督教会音乐——合唱开始萌芽,文艺复兴时期——合唱的形成,巴洛克时期——合唱逐步发展再到古典主义时期——合唱走向成熟,西方合唱在宗教与世俗的此消彼长中发展着,莫扎特作为古典主义时期的代表人物之一,为西方合唱的发展作出了重要贡献,他的音乐无论在歌剧、交响乐、协奏曲,还是钢琴作品、室内乐、舞曲、宗教音乐等各个方面,都意味着和谐与完美。许多宗教合唱作品都可以说是古典主义时期的经典,莫扎特的《安魂曲》作为古典主义时期宗教合唱的重要代表作之一,充分体现了古典主义时期宗教合唱的风格特征,这部作品注入了作者对整个人生的深刻感受,表现了他作为市民音乐家一生所遭受到剥削、屈辱冷遇、贫困的痛苦和他对光明欢乐始终不渝的追求与向往。
[Abstract]:From the early Christian church music-chorus began to sprout, the Renaissance period-the formation of chorus, Baroque period-chorus gradually developed to the classical period-chorus to mature. Western chorus developed in the rise and fall of religion and secular. Mozart, as one of the representative figures in the classicism period, made important contributions to the development of western chorus. His music was not only in opera, but also in symphonies. Concerto, or piano works, chamber music, dance music, religious music and other aspects of the meaning of harmony and perfection. Many religious choral works can be said to be classical period classics. Mozart's Requiem, as one of the important masterpieces of religious chorus in the classical period, fully embodies the style characteristics of the religious chorus in the classical period. This work infuses the author's deep feelings of the whole life, and shows that he has been exploited, humiliated, destitute, poor and his pursuit and yearning for bright joy and joy all his life as a citizen musician.
【作者单位】：西南大学音乐学院;
【分类号】：J605
【正文快照】： 第一章莫扎特的“天鹅之歌”—《安魂曲》思使他激动紧张。他已经预感到什么不幸，，常常啥着眼泪第一节安魂曲概述说:“我这是在为自己写《安魂曲》。”莫扎特完成了《安魂曲》安魂曲是弥撒曲的一种，专门用于追悼亡者，也称之为的绝大部分后就卧床不起了，他把剩下的主题、构

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