江苏民歌曲调逻辑因素探究

发布时间：2018-02-27 08:32

本文关键词： 江苏民歌曲调逻辑因素　出处：《南京师范大学》2005年硕士论文　论文类型：学位论文

【摘要】：提起江苏民歌,人们总会想到《茉莉花》,事实上,由于地理环境、经济条件、生产生活方式、方言语调、群体性格等各个方面的不同,江苏地区的民歌有其自身的丰富性与多样性,《茉莉花》并不能涵盖江苏民歌中所有的音乐特色。本文根据武俊达先生关于江苏四大语言区的划分,同时参照省内地理历史条件、生产生活方式、风俗民情、人民的性格气质、审美习惯、音乐思维等,将江苏地区民歌分成北方、江淮、吴语三大民歌色彩区,针对民歌曲调中的逻辑因素进行研究。曲调逻辑因素包括音阶、调式的使用,调发展手法的运用和曲调进行形态四个方面。本文首先对北方、江淮、吴语三大色彩区民歌的音阶、调式的使用情况,调发展手法的运用进行了分析、归类、总结,得出它们各自的独特之处。其次,借鉴申克音乐分析理论,从民歌旋律的结构音调和延长音调入手,分析、比较了三大色彩区民歌的曲调风格。再次,文章就金湖、宝应地区秧歌曲调中透露出来的“忧黯”色调,从六声音阶、羽调式的使用、调发展的频繁性和下行特性音调的运用四个方面进行了分析,探究其在音乐本体上的由来和体现。
[Abstract]:When it comes to Jiangsu folk songs, people always think of jasmine. In fact, due to the differences in geographical environment, economic conditions, production and life style, dialect tone, group character, etc. The folk songs in Jiangsu have their own richness and diversity. Jasmine can not cover all the musical features of Jiangsu folk songs. According to Mr. Wu Junda's division of the four major language areas in Jiangsu, and referring to the geographical and historical conditions of the province, the way of production and life, the customs and conditions of the people, the temperament of the people, the aesthetic habits, the musical thinking, etc. The folk songs in Jiangsu are divided into three major folk song color areas: northern, Jianghuai and Wu dialect, and the logical factors in folk song tune are studied. The logical factors of tunes include scale, use of mode, use of tonal development techniques and the form of tunes. Firstly, this paper deals with the scale and mode usage of folk songs in the three major color areas of north, Jianghuai and Wu dialect. The application of tone development techniques is analyzed, classified, summed up, and their respective unique points are obtained. Secondly, using Schenck's music analysis theory for reference, starting with the structural tone and extended tone of folk song melody, the author analyzes, This paper compares the tunes of the folk songs in the three major color areas. Thirdly, the article reveals the "worry and dark" tones in the Yangko tunes of Jinhu and Baoying areas, from the use of six sound levels and plume tones. This paper analyzes the frequency of tone development and the application of downlink characteristic tone in order to explore its origin and embodiment in music Noumenon.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J614

【引证文献】