屈文中声乐作品研究

发布时间：2018-03-08 15:58

本文选题：屈文中　切入点：艺术歌曲　出处：《中央音乐学院》2005年硕士论文　论文类型：学位论文

【摘要】：屈文中(1942年9月——1992年2月),是一位由大陆培养起来的,文革后期移居香港,并在香港成名的现代作曲家。由于屈文中的作品大都诞生在香港,因此许多大陆的音乐人、音乐学者对他的作品不甚了解。就其作品本身艺术价值而言,有许多方面是值得我们去研究,加以整理的。特别是他的声乐作品中,旋律具有很强的“可唱性”。在他的作品中传承了自“五四”以来,民族化风格创作传统的理念,并且他还在作品中巧妙地融入了现代风格。力求“曲高和众”,使作品达到雅俗共赏的效果,这一思路始终贯穿于屈文中的创作理念当中。本文共五章,第一章论述屈文中的生平与创作道路; 第二、三章对屈文中的艺术歌曲分别从诗作与曲作结合特征、音乐的旋律、钢琴功能的发挥、以及和声曲式等方面进行音乐分析; 第四章专门论述其合唱诗篇《黄山·奇美的山》,对该作品的题材与结构、音乐形象等方面进行论述; 第五章,总结屈文中的声乐作品的创作特征与创作理念所引发的现实意义。目前国内对于屈文中及其作品进行专题评述的文章有5篇(详见附录一:‘参考文献’),如在汪毓和《中国近现代音乐家评传》(下册·现代部分),梁茂春《香港作曲家——三十至九十年代》,以及颜廷阶(台)《中国现代音乐家传略》中均有涉及。目前笔者所获得的材料还有:台湾乐韵出版社为屈文中出版的两本乐谱,《屈文中艺术歌曲选》和合唱诗篇《黄山·奇美的山》; 另有屈文中写给汪毓和先生的信件8封; 还有港、台地区报刊刊登的屈文中的诗作、创作随笔以及各界对其创作的相关评论报道若干(详见附录一:参考文献‘港台报刊’部分)。作为中国现代音乐家之一的屈文中,由于他在两岸三地的特殊身份、经历,由于资料来源和跨地区艺术交流等条件所限,使得国内对屈文中的作品研究涉足不多。特别是作为学位论文性的课题研究,尚缺先例。因此,笔者希望通过本文对屈文中部分声乐作品的研究分析,从而使屈文中,甚至更多与之相同经历的“特区”音乐家们的作品,能够得到更广泛的关注,并将其纳入中国现代音乐发展史中的一部分而被研究整理。
[Abstract]:Qu Wen-wen (September 1942-February 1992) was a modern composer trained by the mainland, who moved to Hong Kong in the late Cultural Revolution and became famous in Hong Kong. As most of qu's works were born in Hong Kong, many mainland musicians, Music scholars do not know much about his works. In terms of their own artistic value, there are many aspects worth studying and sorting out. Especially in his vocal music works, Melody has a strong "singing". In his works, he inherits the traditional idea of nationalized style since the May 4th Movement. And he also skillfully integrates the modern style in his works and strives to achieve the effect of elegance and common appreciation in his works. This idea runs through the creative ideas of qu Wen all the time. There are five chapters in this paper. The first chapter discusses the life and creation of qu Zhonghong, the second, the third chapter discusses the combination of poetry and music, the melody of music, the play of piano function, and the third chapter discusses the characteristics of the combination of poetry and song, the melody of music, and the function of piano. 4th chapters are devoted to his chorus poem "Huangshan 路Qimei Mountain", the theme and structure of the work, music image and other aspects of the discussion; 5th chapter, Summing up the creative characteristics of qu's vocal music works and the practical significance caused by creative ideas. At present, there are five articles about qu Wen and his works in China (see appendix 1: 'refs.), for example, Wang Yuhe and Biography of Modern Chinese musicians (part two, Modern part, Liang Maochun < Hong Kong composition]. Jia--#number0# to 90s >, and Yan Tingjie (Taiwan) "Biography of Modern Chinese musicians" are all involved. At present, the author has also obtained two music scores published by Taiwan Le Yun Publishing House for qu Wenyi, < qu Wenyi]. Selected songs and Chorus Psalms "the Mountain of Huangshan Qimei"; 8 letters from qu Wen to Mr. Wang Yu-he; and Hong Kong, There are several poems, essays and comments about his creation published in Taiwan newspapers and periodicals (see appendix I: part of reference: Hong Kong and Taiwan Newspapers and periodicals). As one of the modern Chinese musicians, due to his special status and experience in the three places on both sides of the Taiwan Strait, due to the sources of information and cross-regional artistic exchanges, Therefore, the author hopes to analyze some of qu's vocal music works through the research and analysis of some vocal music works in this paper. Even more of the works of "special zone" musicians with the same experience can get more extensive attention and be studied and sorted out as part of the development history of modern Chinese music.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J614

【共引文献】