过门之于板腔体戏曲音乐的形成发展和改革转型——以越剧为例

发布时间：2018-05-01 06:27

  本文选题：戏曲过门 + 曲式补充　； 参考：《南京艺术学院学报(音乐与表演版)》2011年01期

【摘要】：人们对于过门之于戏曲音乐乃至整个戏曲的形成发展和改革转型的影响等知之甚少。本文认为:过门是对戏曲音乐曲式的创造和补充,是板腔体戏曲音乐形成发展的前提性因素之一和新时期以来传统板腔体戏曲音乐向歌剧化戏曲音乐改革转型的标志性音乐样式。"传统的戏曲过门过时、妨碍戏曲发展"、"应该以西方歌剧描写性音乐替代传统过门"等观点失当,应当实施区别性改革,在保护中发展。
[Abstract]:People have little knowledge about the influence of the formation, development and reform of the opera music and even the whole opera. This article holds that the entrance is the creation and supplement of the musical form of the opera music, one of the precondition factors for the formation and development of the plate opera music and the traditional opera music from the new period to the opera music. "Traditional opera is out of date and hinders the development of traditional opera". "It should take the alternative of the western opera to replace the tradition of the traditional opera" and other viewpoints. We should carry out the different reform and develop in the protection.

【作者单位】： 象山县文化馆;
【分类号】：J607
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本文编号：1828138