论钢琴改编曲的音响、和声、材料和结构重组

发布时间：2018-05-08 03:18

本文选题：钢琴改编曲 + 重组　；参考：《上海音乐学院》2006年硕士论文

【摘要】：《论钢琴改编曲的音响、和声、材料、结构重组》对在至今国内国外很少有人深入涉及的钢琴改编曲研究领域，运用大量翔实的材料，从音响、和声、材料、结构四方面探讨从巴洛克时期到当代的改编曲代表作，运用“重组”理论，比较大量不同作曲家对同一首作品的改编，在对原作及改编曲的各个层面分析、解剖过程中，还原作者的真实改编理念，体现作者在改编曲中的创造性思维。从而加深对改编曲这一钢琴艺术形态的起源、状态、发展及意义的认识。在演奏方面则从音色、技巧及风格把握等方面进行分析，对于演奏者具有一定的指导意义。简言之，，钢琴改编曲的核心在于它们的重组性。通过对原作在音响、和声、材料、结构等诸多参数进行重新组合之后使得改编曲获得了新的内涵、新的音响、新的生命。恰恰因为丰富的“重组性”，钢琴改编曲有着非常宽广的演绎空间。这对于钢琴艺术的发展起着重要的推动作用。
[Abstract]:"on the Sound, Harmony, Materials, and structural reorganization of Piano adaptation" to the field of research on piano adaptation, which has rarely been touched upon by many people at home and abroad until now, a large number of detailed and solid materials have been used, from sound, harmony, and materials. From the four aspects of structure, this paper discusses the representative works of adaptation from the Baroque period to the present age. By using the theory of "reorganization", this paper compares the adaptation of a large number of different composers for the same work, and analyzes and dissects the original work and the adaptation of the song at all levels. Restores the author's true adaptation idea and embodies the author's creative thinking in the adaptation. So as to deepen the origination, state, development and significance of the piano art form. The analysis of timbre, technique and style is of great significance to the performer. In short, the core of piano adaptation lies in their reorganization. Through the recombination of many parameters such as sound, harmony, material, structure and so on, the adaptation of the original works has gained new connotation, new sound and new life. It is precisely because of the rich "recombination", piano adaptation has a very broad deductive space. This plays an important role in promoting the development of piano art.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J624.1

【引证文献】