新时期大众音乐中的女性意识解读
发布时间：2018-09-04 19:48
【摘要】：在改革开放的社会大背景中,女性地位、女性就业、女性角色等均已成为具有重要理论意义和现实意义的研究课题。本文运用社会学、女性学、美学等学科知识,阐述了20世纪80年代后大众音乐中的女性意识,涉及内容包括女性音乐形象、女性作曲家及作品以及男性作曲家视野下的女性情结等。笔者首先通过梳理新时期大众音乐的女性意识现象,探究了女性意识形成所依赖的社会历史文化环境。通过对女性音乐家所创作的作品研究归纳出共性的女性意识,即对“爱”的呼唤、对女性命运的关注、对“美”的赞颂。本文还阐述了传统与现代的女性音乐形象的不同,并指出男性作曲家笔下的女性意识主要表现在歌颂女性以及情爱话题上等。
[Abstract]:In the social background of reform and opening up, the status of women, the employment of women and the role of women have become important theoretical and practical research topics. Using the knowledge of sociology, feminism and aesthetics, this paper expounds the female consciousness in popular music after the 1980s, which involves the image of female music. Female composers and works as well as male composers under the vision of female complex. Firstly, by combing the phenomenon of female consciousness in mass music in the new period, the author explores the social historical and cultural environment on which the formation of female consciousness depends. Through the study of the works created by female musicians, the author concludes the common female consciousness, that is, the call for "love", the concern for the fate of women, and the praise for "beauty". This paper also expounds the differences between the traditional and modern female musical images, and points out that the female consciousness in the works of male composers is mainly expressed in the praise of women and the topic of love.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J605
本文编号：2223160
[Abstract]:In the social background of reform and opening up, the status of women, the employment of women and the role of women have become important theoretical and practical research topics. Using the knowledge of sociology, feminism and aesthetics, this paper expounds the female consciousness in popular music after the 1980s, which involves the image of female music. Female composers and works as well as male composers under the vision of female complex. Firstly, by combing the phenomenon of female consciousness in mass music in the new period, the author explores the social historical and cultural environment on which the formation of female consciousness depends. Through the study of the works created by female musicians, the author concludes the common female consciousness, that is, the call for "love", the concern for the fate of women, and the praise for "beauty". This paper also expounds the differences between the traditional and modern female musical images, and points out that the female consciousness in the works of male composers is mainly expressed in the praise of women and the topic of love.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J605
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