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贝多芬钢琴奏鸣曲Op.109作品研究

发布时间:2018-09-07 16:18
【摘要】:贝多芬的晚期钢琴奏鸣曲摆脱了古典主义传统奏鸣曲的创作风格,由于人生观的转变,作品的风格和表达内涵发生了明显的变化,思想境界得到提升和超脱。钢琴奏鸣曲Op.109的抒情幻想性风格,成为贝多芬晚期钢琴奏鸣曲中具有浪漫主义风格的典范。慢-快-慢的乐章架构打破了古典快-慢-快的传统程序、主题贯穿的大胆创新创作手法使这首奏鸣曲结构极为严密,节奏多变以及复调风格的创作频繁显现正是贝多芬晚期音乐作品的代表和象征。 笔者对贝多芬钢琴奏鸣曲Op.109进行作品分析,对三个乐章不同的音乐个性研究探讨后,从演绎角度提出演奏之我见供读者参考。
[Abstract]:Beethoven's late piano sonata got rid of the classical traditional sonata's creative style. As a result of the change of outlook on life, the style and expression connotation of the works have changed obviously, and the ideological realm has been promoted and detached. The lyrical fantasy style of piano sonata Op.109 became the model of romanticism in Beethoven's late piano sonata. The slow-fast-slow movement structure breaks the classical fast-slow-fast traditional program, and the bold and innovative creative techniques that run through the theme make the sonata very tightly structured The variety of rhythm and the frequent appearance of polyphonic style are the representatives and symbols of Beethoven's later musical works. The author analyzes Beethoven's piano sonata Op.109, discusses the different musical personality of the three movements, and puts forward my views on performance from the angle of deduction for readers' reference.
【学位授予单位】:上海音乐学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J624.1;J614

【参考文献】

相关期刊论文 前4条

1 杨燕迪;陈宏宽;;贝多芬演奏与速度处理[J];钢琴艺术;2007年10期

2 杜震震;;浅析贝多芬钢琴奏鸣曲的风格[J];黄河之声;2008年18期

3 高宗仁;贝多芬晚期作品风格浅谈[J];人民音乐;1997年11期

4 邹建平;贝多芬与20世纪赋格写作[J];音乐艺术(上海音乐学院学报);1998年01期



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